
A Gathering at Wood's Edge
Jean Honoré Fragonard (d. 1806)
ca. 1770–73 · Red chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
341 ms. The Metropolitan Museum of Art, Collection API (Open Access)
324 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 18,150 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

A Gathering at Wood's Edge
Jean Honoré Fragonard (d. 1806)
ca. 1770–73 · Red chalk
Cleared · Public Domain
live
Peasant's Hut at the Edge of a Forest
Johan Christian Dahl (d. 1857)
1828 · Etching; second state of two
Cleared · Public Domain
live
Cattle and sheep at resting at the edge of a forest
George Barret, the younger (d. 1842)
ca. 1840 · Watercolor and gouache (bodycolor) over graphite, with reductive techniques and gum arabic
Cleared · Public Domain
live
Clearing with a lumber mill
John Middleton (d. 1856)
1847 (?) · Watercolor over graphite
Cleared · Public Domain
live
Edge of a Wood
Théodore Caruelle d'Aligny (d. 1871)
ca. 1850 · Oil on canvas
Cleared · Public Domain
live
Clearing in the Woods (from Sketchbook)
Henry Ward Ranger (d. 1916)
1916 · Graphite, ink, on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Edge of the Wood
Wenceslaus Hollar (d. 1677)
1649 · Etching; first state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Edge of the Wood
Wenceslaus Hollar (d. 1677)
1649 · Etching; second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Deer at the Edge of a Wood
Jean Victor Bertin (d. 1842)
1835 · Oil on paper, laid down on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Clearing at the Edge of a Wood
Louis-Auguste Lapito (d. 1874)
1874 · Oil on paper, laid down on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Storm at the Edge of the Wood
James Ensor (d. 1949)
1888 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
At the Edge of the Wood
Josef Breitenbach (d. 1984)
1950s · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.