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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    54 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    17 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 11 matching records exist across the two collections.

Results for "Cliff Chambers, from the Red Man All-Sta"11 records

Institutions answered newest-first by record, interleaved

Kitchen Tender being Rowed by an unrecorded maker, The Metropolitan Museum of Art

Kitchen Tender being Rowed

Unrecorded maker

ca. 1981–1975 B.C. · Wood, paint, plaster, linen twine and cloth

Cleared · Public Domain

live
The MetSimilar
Four Icons from a Pair of Doors (Panels), possibly part of a Polyptych: John the Theologian and Prochoros, the Baptism (Epiphany), Harrowing of Hell (Anastasis), and Saint Nicholas by an unrecorded maker, The Metropolitan Museum of Art

Four Icons from a Pair of Doors (Panels), possibly part of a Polyptych: John the Theologian and Prochoros, the Baptism (Epiphany), Harrowing of Hell (Anastasis), and Saint Nicholas

Unrecorded maker

early 15th century · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
Eight views of the Yellow Mountains by Zheng Min, The Metropolitan Museum of Art

Eight views of the Yellow Mountains

Zheng Min (d. 1683)

1681 · Album of nine leaves of painting and calligraphy; ink on paper

Cleared · Public Domain

live
The MetSimilar
Grand Salon from the Hôtel de Tessé, Paris by Nicolas Huyot, The Metropolitan Museum of Art

Grand Salon from the Hôtel de Tessé, Paris

Nicolas Huyot (d. 1791)

ca. 1768–72, with later additions · Carved, painted, and gilded oak; bleu turquin marble, gilt bronze; plaster

Cleared · Public Domain

live
The MetSimilar
Folio from a Bhagavata Purana series by an unrecorded maker, The Metropolitan Museum of Art

Folio from a Bhagavata Purana series

Unrecorded maker

ca. 1775–1800 · Watercolor and ink on paper

Cleared · Public Domain

live
The MetSimilar
The Departure from the Coast, or the End of the Farce of Invasion by Thomas Rowlandson, The Metropolitan Museum of Art

The Departure from the Coast, or the End of the Farce of Invasion

Thomas Rowlandson (d. 1827)

October 1, 1805 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Governor Rusk, Wisconsin, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co. by W. Duke, Sons & Co., The Metropolitan Museum of Art

Governor Rusk, Wisconsin, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co.

W. Duke, Sons & Co. (d. 1920)

ca. 1888 · Commercial color lithograph

Cleared · Public Domain

live
The MetSimilar
Governor Waterman, California, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co. by W. Duke, Sons & Co., The Metropolitan Museum of Art

Governor Waterman, California, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co.

W. Duke, Sons & Co. (d. 1920)

ca. 1888 · Commercial color lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cliff Chambers, from the Red Man All-Star Team series (T232), issued by Red Man Chewing Tobacco

Red Man Chewing Tobacco

1952 · Commercial color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Figure (Nggwalndu)

Unrecorded maker

19th–early 20th century · Wood, paint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.