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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    384 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    362 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 27 matching records exist across the two collections.

Results for "Clio, from "The Muses and the Three Godd"12 records

Institutions answered newest-first by record, interleaved

Design for a Circular Border with Nine Female Figures (the Muses?) by Luca Penni, The Metropolitan Museum of Art

Design for a Circular Border with Nine Female Figures (the Muses?)

Luca Penni (d. 1557)

1525–35 · Pen and brown ink, brush and brown wash, over traces of black chalk; circular outlines done with compass, and the paper is sectioned into five fragments.

Cleared · Public Domain

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The MetSimilar
Athena, from "The Muses and the Three Goddesses" by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Athena, from "The Muses and the Three Goddesses"

Anonymous, Italian, 16th century (d. 1600)

ca. 1540–45 · Engraving

Cleared · Public Domain

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The MetSimilar
Calliope, from "The Muses and the Three Goddesses" by Anonymous, French-Italian, 17th century, The Metropolitan Museum of Art

Calliope, from "The Muses and the Three Goddesses"

Anonymous, French-Italian, 17th century (d. 1700)

ca. 1540–45 · Engraving

Cleared · Public Domain

live
The MetSimilar
Clio, from "The Muses and the Three Goddesses" by Anonymous, French-Italian, 17th century, The Metropolitan Museum of Art

Clio, from "The Muses and the Three Goddesses"

Anonymous, French-Italian, 17th century (d. 1700)

ca. 1540–45 · Engraving

Cleared · Public Domain

live
The MetSimilar
Clio, from "Twelve Muses and Goddesses" by Léon Davent, The Metropolitan Museum of Art

Clio, from "Twelve Muses and Goddesses"

Léon Davent (d. 1556)

ca. 1540–45 · Etching

Cleared · Public Domain

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The MetSimilar
Melpomene, from "The Muses and the Three Goddesses" by Anonymous, French-Italian, 17th century, The Metropolitan Museum of Art

Melpomene, from "The Muses and the Three Goddesses"

Anonymous, French-Italian, 17th century (d. 1700)

ca. 1540–45 · Engraving

Cleared · Public Domain

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The MetSimilar
Polyhymnia, from "The Muses and the Three Great Goddesses" by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Polyhymnia, from "The Muses and the Three Great Goddesses"

Anonymous, Italian, 16th century (d. 1600)

ca. 1540–45 · Engraving

Cleared · Public Domain

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The MetSimilar
Thalia, from "The Muses and the Three Great Goddesses" by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Thalia, from "The Muses and the Three Great Goddesses"

Anonymous, Italian, 16th century (d. 1600)

ca. 1540–45 · Engraving

Cleared · Public Domain

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The MetSimilar
Juno, from "The Muses and the Three Great Goddesses" by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Juno, from "The Muses and the Three Great Goddesses"

Anonymous, Italian, 16th century (d. 1600)

1540–56 · Engraving

Cleared · Public Domain

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The MetSimilar
Three Muses and a Gesturing Putto, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau by Giorgio Ghisi, The Metropolitan Museum of Art

Three Muses and a Gesturing Putto, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau

Giorgio Ghisi (d. 1582)

1560s · Engraving

Cleared · Public Domain

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The MetSimilar
Three Muses and a putto above with a lyre, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau by Giorgio Ghisi, The Metropolitan Museum of Art

Three Muses and a putto above with a lyre, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau

Giorgio Ghisi (d. 1582)

1560s · Engraving

Cleared · Public Domain

live
The MetSimilar
Three Muses and a Putto with Cymbals, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau by Giorgio Ghisi, The Metropolitan Museum of Art

Three Muses and a Putto with Cymbals, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau

Giorgio Ghisi (d. 1582)

1560s · Engraving

Cleared · Public Domain

live
The MetSimilar

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