
Brick fragment with a guilloche design
Unrecorded maker
ca. 9th century BCE · Ceramic, glaze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
392 ms. The Metropolitan Museum of Art, Collection API (Open Access)
334 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 272 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Brick fragment with a guilloche design
Unrecorded maker
ca. 9th century BCE · Ceramic, glaze
Cleared · Public Domain
live
Brick fragment with a guilloche design
Unrecorded maker
ca. 9th century BCE · Ceramic, glaze
Cleared · Public Domain
live
Archivolt fragment with vegetal design
Unrecorded maker
ca. 6th century CE · Stucco
Cleared · Public Domain
live
Fragment with Interlace Design
Unrecorded maker
9th century · Earthenware; molded and glazed
Cleared · Public Domain
live
Design for a Grotesque Decoration
Luzio Luzzi (also known as Luzio Romano, Luzio da Todi) (d. 1582)
ca. 1543–45 · Pen and brown ink, brown wash.
Cleared · Public Domain
live
Design for a Large Goblet
Jost Amman (d. 1591)
ca. 1570–80 · Pen and black ink, washes in several gray tones
Cleared · Public Domain
live
Design for a Knife Handle (Fragment from Manches de Coutiaus)
Johann Theodor de Bry (d. 1623)
1580–1600 · Engraving and blackwork
Cleared · Public Domain
live
Fragment of a Carpet with Quatrefoil Design
Unrecorded maker
16th–17th century · Wool (warp, weft, and pile); symmetrically knotted pile
Cleared · Public Domain
live
Design for a sepulchral monument with a seated female figure (recto); Design for a statue of a standing male figure and fragment of a letter (verso)
Pieter Verbruggen the Younger (d. 1691)
late 17th–early 18th century · Pen and brown ink, over red chalk and black chalk or graphite, red and brown wash, some white gouache (?) (recto); pen and brown ink, over black chalk or graphite (verso)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Clipped Fragment with a Design for a Brooch or Hair Ornament
Friedrich Jacob Morisson (d. 1697)
ca. 1690–99 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Clipped Fragment with a Design for a Jeweled Aigrette
Friedrich Jacob Morisson (d. 1697)
ca. 1690–99 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Garden with Four Elongated Parterres Around a Circular Basin with Fountain, from Nouveux Liure de Parterres, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.