Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    384 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 32 matching records exist across the two collections.

Results for "Cloister"11 records

Institutions answered newest-first by record, interleaved

Leaf from a Missal: The Crucifixion (Frontispiece for the Canon of the Mass) by Master of Otto van Moerdrecht, The Cleveland Museum of Art

Leaf from a Missal: The Crucifixion (Frontispiece for the Canon of the Mass)

Master of Otto van Moerdrecht

c. 1440–1450 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Columnar Figure of an Apostle by an unrecorded maker, The Cleveland Museum of Art

Columnar Figure of an Apostle

Unrecorded maker

c. 1180 · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Engaged Capital by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital

Unrecorded maker

1400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Engaged Capital by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital

Unrecorded maker

1400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
View of the Cloister of San Giovanni in Laterano, Rome by Jakob Alt, The Cleveland Museum of Art

View of the Cloister of San Giovanni in Laterano, Rome

Jakob Alt (d. 1872)

1836 · Drawing, pen and black ink and watercolor over black chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Engaged Capitals by an unrecorded maker, The Cleveland Museum of Art

Engaged Capitals

Unrecorded maker

1400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Christ in the Garden of Gethsemane and The Kiss of Judas (pair) by Everhard Rensig, The Cleveland Museum of Art

Christ in the Garden of Gethsemane and The Kiss of Judas (pair)

Everhard Rensig

1522–1526 · Glass, pot-metal and white glass, silver stain and sanguine

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Kiss of Judas by Everhard Rensig, The Cleveland Museum of Art

The Kiss of Judas

Everhard Rensig

1522–1526 · Glass, pot-metal and white glass, silver stain and sanguine

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Engaged Capital by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital

Unrecorded maker

1400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Engaged Capital by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital

Unrecorded maker

1400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Engaged Capital by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital

Unrecorded maker

1400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.