
Head of a solar deity
Maya artist(s)
600–900 CE · Volcanic tuff, mortar, paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
970 ms. The Metropolitan Museum of Art, Collection API (Open Access)
302 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 82 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Head of a solar deity
Maya artist(s)
600–900 CE · Volcanic tuff, mortar, paint
Cleared · Public Domain
live
Sugar Loaf Islands, Farallons
Carleton E. Watkins (d. 1916)
1868–69 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Harper's Weekly, Vol. XIX, No. 940
Harper & Brothers (d. 1962)
January 2, 1875 · Illustrations: wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rising Road with Mount Tamalpais
Percy Gray (d. 1952)
ca. 1910 · Watercolor on white wove paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Medal of Award, Panama-Pacific International Exposition, San Francisco
John Flanagan (d. 1952)
1915 · Bronze
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Group of 26 Stereograph Views of San Francisco, California]
Continent Stereoscopic Company
1850s–1910s · Albumen silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
San Francisco – Oakland Bay Bridge
Johan Hagemeyer (d. 1962)
1948 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Clouds and Sun, San Francisco, California
Ansel Easton Adams (d. 1984)
1959 · Instant diffusion transfer print (Polaroid)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sunburned, GSP #166, Mohave/Winter Solstice
Chris McCaw (d. 9999)
2007 · Gelatin silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
110 Junction
Matthew Porter (d. 9999)
2010, printed 2012 · Inkjet print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.