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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    340 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    365 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Coast Scene with the Port of Santa Marin"10 records

Institutions answered newest-first by record, interleaved

Vessel with mythological scene by Maya artist(s), The Metropolitan Museum of Art

Vessel with mythological scene

Maya artist(s)

600–800 CE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Coast Scene with a View of Civitavecchia by Claude Lorrain (Claude Gellée), The Metropolitan Museum of Art

Coast Scene with a View of Civitavecchia

Claude Lorrain (Claude Gellée) (d. 1682)

1638 · Black chalk, pen and brown ink, brush and brown wash with white heightening

Cleared · Public Domain

live
The MetSimilar
Coast Scene with the Port of Santa Marinella by Claude Lorrain (Claude Gellée), The Metropolitan Museum of Art

Coast Scene with the Port of Santa Marinella

Claude Lorrain (Claude Gellée) (d. 1682)

1638 · Black chalk, pen and brown ink, brush and brown wash with white heightening

Cleared · Public Domain

live
The MetSimilar
The Leader Sea Piece, part IV, plate 20 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

The Leader Sea Piece, part IV, plate 20 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

March 29, 1809 · Etching and mezzotint; first state of three

Cleared · Public Domain

live
The MetSimilar
Interior of a Port by Eugène Isabey, The Metropolitan Museum of Art

Interior of a Port

Eugène Isabey (d. 1886)

1833 · Lithograph in black; first state of three

Cleared · Public Domain

live
The MetSimilar
Refitting of a Ship at Low Tide by Eugène Isabey, The Metropolitan Museum of Art

Refitting of a Ship at Low Tide

Eugène Isabey (d. 1886)

1833 · Lithograph in black; second state of three

Cleared · Public Domain

live
The MetSimilar
Clipper Ship "Dreadnought" off Tuskar Light, 12 1/2 Days from New York on her Celebrated Passage into Dock of  Liverpool in 13 Days 11 Hours, December 1854 by Charles Parsons, The Metropolitan Museum of Art

Clipper Ship "Dreadnought" off Tuskar Light, 12 1/2 Days from New York on her Celebrated Passage into Dock of Liverpool in 13 Days 11 Hours, December 1854

Charles Parsons (d. 1910)

1856 · Hand-colored lithograph

Cleared · Public Domain

live
The MetSimilar
The New Bonnet by Eastman Johnson, The Metropolitan Museum of Art

The New Bonnet

Eastman Johnson (d. 1906)

1876 · Oil on academy board

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Voyage de Sa Majésté Louis-Philippe 1er, Roi des Français au Château de Windsor (Visit of His Majesty Louis Philippe I, King of the French to Windsor Castle)

Edouard Pingret (d. 1875)

1846 · Illustrations: lithographs with tint stones: one on chine collé, one in color

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Kittiwake and The John Walton

Fairfield Porter (d. 1975)

1962 · Acrylic on canvas

In copyright

live
The MetSimilar

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