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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1676 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    482 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10,792 matching records exist across the two collections.

Results for "Coat of arms of a Pope of the Piccolomin"12 records

Institutions answered newest-first by record, interleaved

Coat of Arms by an unrecorded maker, The Metropolitan Museum of Art

Coat of Arms

Unrecorded maker

early 14th century · Limestone

Cleared · Public Domain

live
The MetSimilar
Coat of Arms by an unrecorded maker, The Metropolitan Museum of Art

Coat of Arms

Unrecorded maker

early 14th century · Limestone

Cleared · Public Domain

live
The MetSimilar
Coat of Arms by an unrecorded maker, The Metropolitan Museum of Art

Coat of Arms

Unrecorded maker

early 14th century · Limestone

Cleared · Public Domain

live
The MetSimilar
Coat of arms of a Pope of the Piccolomini Family by an unrecorded maker, The Metropolitan Museum of Art

Coat of arms of a Pope of the Piccolomini Family

Unrecorded maker

ca. 1460 · Marble

Cleared · Public Domain

live
The MetSimilar
Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc. by workshop of Giovanni Maria Vasaro, The Metropolitan Museum of Art

Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc.

workshop of Giovanni Maria Vasaro (d. 1530)

1508 · Maiolica (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
Design for the Façade of a Palace with the Coat of Arms of Pope Clement IX by Anonymous, Italian, 18th century, The Metropolitan Museum of Art

Design for the Façade of a Palace with the Coat of Arms of Pope Clement IX

Anonymous, Italian, 18th century (d. 1800)

ca. 1710–21 · Pen and brown ink with brown, red and green wash

Cleared · Public Domain

live
The MetSimilar
Coat of Arms by Mary Ann Thomas, The Metropolitan Museum of Art

Coat of Arms

Mary Ann Thomas (d. 1872)

ca. 1786 · Silk embroidery on silk

Cleared · Public Domain

live
The MetSimilar
Coat of Arms by Sarah Duncan, The Metropolitan Museum of Art

Coat of Arms

Sarah Duncan (d. 1835)

ca. 1790 · Silk and metallic thread embroidery on silk

Cleared · Public Domain

live
The MetSimilar
Design for a Coat of Arms by J. S. Pearse, The Metropolitan Museum of Art

Design for a Coat of Arms

J. S. Pearse (d. 1900)

1858 · Watercolor over graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Coat of Arms of Ippolito Aldobrandini

Cherubino Alberti (Zaccaria Mattia) (d. 1615)

ca. 1585–92 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Coat of Arms

H. Goodwin (d. 9999)

ca. 1800–1810 · Silk, gold and metallic thread, embroidered

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Oak Door

Alexander Pope (d. 1924)

1887 · Oil on oak

In copyright

live
The MetSimilar

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