Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1270 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    384 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "Coin Noir de la Colonne"9 records

Institutions answered newest-first by record, interleaved

Tupu (pin) by Wari or Inca artist(s), The Metropolitan Museum of Art

Tupu (pin)

Wari or Inca artist(s)

Before the 16th century · Silver

Cleared · Public Domain

live
The MetSimilar
Tupu (pin) by Inca artist(s), The Metropolitan Museum of Art

Tupu (pin)

Inca artist(s)

1400–1535 CE · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Automaton clock in the form of an eagle by an unrecorded maker, The Metropolitan Museum of Art

Automaton clock in the form of an eagle

Unrecorded maker

ca. 1630 · Case: gilded brass on base of ebony and ebony veneered on fruitwood; Movement: brass and iron

Cleared · Public Domain

live
The MetSimilar
Triumfa España en las Americas (The Triumph of Spain in the Americas) by an unrecorded maker, The Metropolitan Museum of Art

Triumfa España en las Americas (The Triumph of Spain in the Americas)

Unrecorded maker

late 18th century · Cotton, block printed

Cleared · Public Domain

live
The MetSimilar
Coin Noir de la Colonne by Pierre-Louis Pierson, The Metropolitan Museum of Art

Coin Noir de la Colonne

Pierre-Louis Pierson (d. 1913)

September 1, 1893 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Quatrième Cahier du Recueil d'Ornemens: Ornements de la Colonne Trajane (Ornaments from Trajan's Column)

Elisabeth Brinclaire (d. 1851)

ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Figure riding a quadruped

Dogon or Tellem blacksmith (?)

16th–19th century · Wood (Burseraceae family), applied organic materials

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ngontang (young white girl) helmet mask

Betsi-Fang artist

Second half of 19th century · Wood, pigment, kaolin

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ngontang (young white girl) helmet mask

Fang artist

First half of 20th century · Wood, pigment, kaolin

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.