
Vultus trifrons or an Allegory of Prudence
Pacio Bertini da Firenze (d. 1351)
ca. 1340–55 · Carrara marble
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
222 ms. The Metropolitan Museum of Art, Collection API (Open Access)
316 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 304 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Vultus trifrons or an Allegory of Prudence
Pacio Bertini da Firenze (d. 1351)
ca. 1340–55 · Carrara marble
Cleared · Public Domain
live
Octagonal dish with flowering plum and magpies
Unrecorded maker
14th century · Black lacquer with mother-of-pearl inlay
Cleared · Public Domain
live
A Poppy in Three Stages of Flowering, with a Caterpillar, Pupa and Butterfly
Johanna Helena Herolt (née Graff) (d. 1723)
late 17th–early 18th century · Watercolor and gouache over traces of black chalk
Cleared · Public Domain
live
Old king
Unrecorded maker
18th century · Polychromed wooden body dressed in silk, satin and velvet garments; glass eyes
Cleared · Public Domain
live![Pedestal [for Woman from the French Colonies] by Charles-Henri-Joseph Cordier, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/es/web-large/SF2006_112d.jpg)
Pedestal [for Woman from the French Colonies]
Charles-Henri-Joseph Cordier (d. 1905)
1861 · Red and white marble pedestal with gilt-bronze mounts and ornaments
Cleared · Public Domain
live
Woman from the French Colonies
Charles-Henri-Joseph Cordier (d. 1905)
1861 · Algerian onyx-marble, bronze, and enamel; white marble socle
Cleared · Public Domain
live
The Burghers of Calais
Auguste Rodin (d. 1917)
modeled 1884–95, cast 1985 · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dressing for a Masquerade
Thomas Rowlandson (d. 1827)
April 1, 1790 · Etching and stipple
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dressing for a Masquerade
Thomas Rowlandson (d. 1827)
April 1, 1790 · Hand-colored etching and stipple
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Colonies of Germs at Different Stages of Growth
Shivshanker Narayen (d. 1899)
ca. 1898 · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Isadora Duncan
John Sloan (d. 1951)
1915 · Etching with red ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Isadora Duncan
John Sloan (d. 1951)
1915 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.