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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    317 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    296 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,392 matching records exist across the two collections.

Results for "Colored Engravings for the People Publis"12 records

Institutions answered newest-first by record, interleaved

The Wolf-Charmer by John La Farge, The Metropolitan Museum of Art

The Wolf-Charmer

John La Farge (d. 1910)

1867 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
The Pied Piper of Hamelin by Henry Marsh, The Metropolitan Museum of Art

The Pied Piper of Hamelin

Henry Marsh (d. 1912)

1868 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
The Travelers and the Giant by John La Farge, The Metropolitan Museum of Art

The Travelers and the Giant

John La Farge (d. 1910)

1869 · Wood engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nini comes out shorn, a group of people outdoors, illustration for 'Don Bullebulle'

Gabriel Vicente Gahona (Picheta) (d. 1899)

ca. 1847 (impression printed 1944) · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nini comes out shorn, a group of people outdoors, illustration for 'Don Bullebulle'

Gabriel Vicente Gahona (Picheta) (d. 1899)

ca. 1847 (impression printed 1944) · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

People talking to a shop vendor at a dry goods counter, illustration for 'Don Bullebulle'

Gabriel Vicente Gahona (Picheta) (d. 1899)

ca. 1847 (impression printed 1944) · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Colored Engravings for the People Published by N. Currier, Lithographer, 2 Spruce Street (Nearly Opposite City Hall), New York, For Sale Here

Nathaniel Currier (d. 1888)

1838–46 · Hand -colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The parable of the dream, a group of people around a woman on a bed, illustration for 'Don Bullebulle'

Gabriel Vicente Gahona (Picheta) (d. 1899)

1847 (reprinted 1944) · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Homes for the People in Suburb and Country: the Villa, the Mansion, and the Cottage.

Gervase Wheeler (d. 1889)

1855 · Illustrations: wood engravings and transfer lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Riverside Magazine for Young People, Volume II

Hurd and Houghton (d. 1880)

1868 · Illustrations: wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Palliser's Model Homes for The People

George Palliser (d. 1903)

1876 · Illustrations: wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Soldiers ambushing a carriage and attacking people, illustration for 'Hidalgo'

Alfredo Zalce (d. 2003)

ca. 1946 · Wood engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.