Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    414 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    301 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 27 matching records exist across the two collections.

Results for "Column of Dilius and Obelisque Fountain,"12 records

Institutions answered newest-first by record, interleaved

Terracotta fragments of a hydria (water jar) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragments of a hydria (water jar)

Unrecorded maker

third quarter of the sixth century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Ein new Modelbuch..., page 11 (verso) by Johann Schönsperger the Younger, The Metropolitan Museum of Art

Ein new Modelbuch..., page 11 (verso)

Johann Schönsperger the Younger (d. 1550)

October 22, 1524 · Woodcut

Cleared · Public Domain

live
The MetSimilar
La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 6 (verso) by Matteo Pagano, The Metropolitan Museum of Art

La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 6 (verso)

Matteo Pagano (d. 1588)

1556 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Lucidario di Recami, page 15 (verso) by Iseppo Foresto, The Metropolitan Museum of Art

Lucidario di Recami, page 15 (verso)

Iseppo Foresto (d. 1580)

1564 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Il Monte. Opera Nova di Recami, page 3 (recto) by Giovanni Antonio Bindoni, The Metropolitan Museum of Art

Il Monte. Opera Nova di Recami, page 3 (recto)

Giovanni Antonio Bindoni (d. 1650)

after 1557 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Column of Dilius and Obelisque Fountain by Anonymous, The Metropolitan Museum of Art

Column of Dilius and Obelisque Fountain

Anonymous

1574 · Engraving

Cleared · Public Domain

live
The MetSimilar
Column of Dilius and Obelisque Fountain, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Column of Dilius and Obelisque Fountain, from "Speculum Romanae Magnificentiae"

Anonymous

1575 · Engraving

Cleared · Public Domain

live
The MetSimilar
Plate 13: a townscape with a fountain, fallen column and statue at right and a Gothic church beside an aqueduct in the background by Davide Antonio Fossati, The Metropolitan Museum of Art

Plate 13: a townscape with a fountain, fallen column and statue at right and a Gothic church beside an aqueduct in the background

Davide Antonio Fossati (d. 1791)

1743 · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fountain with Hercules grasping a column and with Tritons holding urns at the base, from Grandes fontaines, plate 6, bound in Oeuvres. Vol. II

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Colonne Antonine, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Obelisque dans la Jardein Mattei, Obelisque de la Place de St. Pierre, Colonne tirée des ruines du Temple de la Paix et élevé sur la Place de Ste. Marie Majeure, Obelisque sur la Fountaine de Place Navone, Obelisque etendu par terre dans la cour du Palais Barberini, Obelisque sur la Place du Peuple, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Partie de la Piramide de Caius Cestius, Colonne Milliaire, Barque antique de marbre connue sous le nom de la Navicella, Colonne Rostrale, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.