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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    890 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    3315 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 13,549 matching records exist across the two collections.

Results for "Column with base"12 records

Institutions answered newest-first by record, interleaved

Marble column with base and capital by an unrecorded maker, The Metropolitan Museum of Art

Marble column with base and capital

Unrecorded maker

ca. 117–138 CE · Marble

Cleared · Public Domain

live
The MetSimilar
Christ at the Column by Johann Baptist Hagenauer, The Cleveland Museum of Art

Christ at the Column

Johann Baptist Hagenauer (d. 1810)

1756 · Sculpture, gilt bronze

Cleared · CC0

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Cleveland Museum of ArtSimilar
Column Base with Scroll Motifs by an unrecorded maker, The Metropolitan Museum of Art

Column Base with Scroll Motifs

Unrecorded maker

10th century · Marble; carved in relief

Cleared · Public Domain

live
The MetSimilar
Terpsichore Lyran (Muse of Lyric Poetry) by Antonio Canova, The Cleveland Museum of Art

Terpsichore Lyran (Muse of Lyric Poetry)

Antonio Canova (d. 1822)

1816 · Sculpture, marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Column Base by an unrecorded maker, The Metropolitan Museum of Art

Column Base

Unrecorded maker

ca. 1130–1140 · Pink marble

Cleared · Public Domain

live
The MetSimilar
Monk bearing offerings by an unrecorded maker, The Cleveland Museum of Art

Monk bearing offerings

Unrecorded maker

c. 300 CE · Sculpture, stucco

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Column Base by an unrecorded maker, The Metropolitan Museum of Art

Column Base

Unrecorded maker

ca. 1130–1140 · Pink marble

Cleared · Public Domain

live
The MetSimilar
Candelabrum by an unrecorded maker, The Cleveland Museum of Art

Candelabrum

Unrecorded maker

100–1 BCE · Sculpture, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Column Base by an unrecorded maker, The Metropolitan Museum of Art

Column Base

Unrecorded maker

ca. 1130–40 · Marble

Cleared · Public Domain

live
The MetSimilar
Grave Stele (Relief) by an unrecorded maker, The Cleveland Museum of Art

Grave Stele (Relief)

Unrecorded maker

c. 50 BCE · Sculpture, marble

Cleared · CC0

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Cleveland Museum of ArtSimilar
Column Base by an unrecorded maker, The Metropolitan Museum of Art

Column Base

Unrecorded maker

ca. 1130–40 · Marble

Cleared · Public Domain

live
The MetSimilar
The Colonnade of Saint Peter's, Rome, during the Conclave by Hubert Robert, The Cleveland Museum of Art

The Colonnade of Saint Peter's, Rome, during the Conclave

Hubert Robert (d. 1808)

c.1769 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.