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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    339 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    334 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 21 matching records exist across the two collections.

Results for "Combat Between Dragon and Dog (one of fi"12 records

Institutions answered newest-first by record, interleaved

Terracotta neck-amphora (jar) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta neck-amphora (jar)

Unrecorded maker

ca. 525–500 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Combat Between Dragon and Dog (one of five medallions from a coffret) by an unrecorded maker, The Metropolitan Museum of Art

Combat Between Dragon and Dog (one of five medallions from a coffret)

Unrecorded maker

ca. 1110–30 · Champlevé enamel on gilded copper

Cleared · Public Domain

live
The MetSimilar
Combat Between Dragon and Dog (one of five medallions from a coffret) by an unrecorded maker, The Metropolitan Museum of Art

Combat Between Dragon and Dog (one of five medallions from a coffret)

Unrecorded maker

ca. 1110–30 · Champlevé enamel on gilded copper

Cleared · Public Domain

live
The MetSimilar
Saint Michael Fighting the Dragon, from "The Apocalypse" by Albrecht Dürer, The Metropolitan Museum of Art

Saint Michael Fighting the Dragon, from "The Apocalypse"

Albrecht Dürer (d. 1528)

1498 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Choir screen panel (one of six) by Nicolas Castille, The Metropolitan Museum of Art

Choir screen panel (one of six)

Nicolas Castille (d. 1521)

ca. 1508–10 · Carved oak

Cleared · Public Domain

live
The MetSimilar
Choir screen panel (one of six) by Nicolas Castille, The Metropolitan Museum of Art

Choir screen panel (one of six)

Nicolas Castille (d. 1521)

ca. 1508–10 · Carved oak

Cleared · Public Domain

live
The MetSimilar
Short Sword (Yatagan) from the Court of Süleyman the Magnificent (reigned 1520–66) by Ahmed Tekelü, The Metropolitan Museum of Art

Short Sword (Yatagan) from the Court of Süleyman the Magnificent (reigned 1520–66)

Ahmed Tekelü (d. 1530)

ca. 1525–30 · Steel, gold, ivory (walrus), silver, turquoise, pearls, rubies

Cleared · Public Domain

live
The MetSimilar
The Dragon Devouring  the Companions of Cadmus by Hendrick Goltzius, The Metropolitan Museum of Art

The Dragon Devouring the Companions of Cadmus

Hendrick Goltzius (d. 1617)

1588 · Engraving; first state of two

Cleared · Public Domain

live
The MetSimilar
Fragment of an Animal Carpet by an unrecorded maker, The Metropolitan Museum of Art

Fragment of an Animal Carpet

Unrecorded maker

late 16th century · Cotton (warp and weft), wool (pile); asymmetrically knotted pile

Cleared · Public Domain

live
The MetSimilar
Cupboard (Beeldenkast) by an unrecorded maker, The Metropolitan Museum of Art

Cupboard (Beeldenkast)

Unrecorded maker

1622 · Oak

Cleared · Public Domain

live
The MetSimilar
Calligraphy Painting by Isma'il Jalayir, The Metropolitan Museum of Art

Calligraphy Painting

Isma'il Jalayir (d. 1899)

ca. 1860 · Opaque watercolor and ink on paste board

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Combats and Triumphs: Combat of Animals and Men

Etienne Delaune (d. 1583)

before 1556 · Engraving: first or second state

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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