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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    244 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    426 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 325 matching records exist across the two collections.

Results for "Coming Home in the Morning"12 records

Institutions answered newest-first by record, interleaved

Manuscript Illumination with the Birth of the Virgin in an Initial G, from a Gradual by Don Silvestro de' Gherarducci, The Metropolitan Museum of Art

Manuscript Illumination with the Birth of the Virgin in an Initial G, from a Gradual

Don Silvestro de' Gherarducci (d. 1399)

ca. 1375 · Tempera, ink, and gold on parchment

Cleared · Public Domain

live
The MetSimilar
The Coming Thunderstorm, from the illustrated book Flowers of the Four Seasons by Kitagawa Utamaro, The Metropolitan Museum of Art

The Coming Thunderstorm, from the illustrated book Flowers of the Four Seasons

Kitagawa Utamaro (d. 1806)

1801 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Morning cap by an unrecorded maker, The Metropolitan Museum of Art

Morning cap

Unrecorded maker

1835 · cotton

Cleared · Public Domain

live
The MetSimilar
Serenade at the Tuileries on New Year's Eve, from "Illustrated London News" by Eugène-Louis Lami, The Metropolitan Museum of Art

Serenade at the Tuileries on New Year's Eve, from "Illustrated London News"

Eugène-Louis Lami (d. 1890)

December 24, 1853 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
Haystacks, Morning, Eragny by Camille Pissarro, The Metropolitan Museum of Art

Haystacks, Morning, Eragny

Camille Pissarro (d. 1903)

1899 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Coming Home in the Morning

Thomas Rowlandson (d. 1827)

1770–1827 · Pen and gray and brown ink, brush and gray-brown wash and watercolor, over traces of graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sunday Morning – In the Olden Time

Samuel William Reynolds, the younger (d. 1872)

1848–56 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Folded Paper Pattern for Embroidery with Design for a Cushion with a Branch with Morning Glory Flowers

Elvira Mary Courbould [E. M. C.] (d. 1900)

1870–1880 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Negligée

Unrecorded maker

1905–10 · silk, cotton

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Morning–The Coverlet

Clarence H. White (d. 1925)

ca. 1906 · Platinum print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Landscape with morning glories, bakery card from the Picture Cards series (D63), issued by the Vienna Model Bakery

Vienna Model Bakery

early 20th century · Commercial color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Retired man and his wife at home in a nudist camp one morning, N.J.

Diane Arbus (d. 1971)

1963 · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.