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A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    304 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    305 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 67 matching records exist across the two collections.

Results for "Comparative Anatomy"12 records

Institutions answered newest-first by record, interleaved

Incised furniture plaque with a kneeling bull by an unrecorded maker, The Metropolitan Museum of Art

Incised furniture plaque with a kneeling bull

Unrecorded maker

ca. 9th–8th century BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
Comparative Anatomy Study by Thomas Rowlandson, The Cleveland Museum of Art

Comparative Anatomy Study

Thomas Rowlandson (d. 1827)

c. 1810–20 · Drawing, watercolor and brown ink with graphite on wove paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Terracotta kylix (drinking cup) by Painter of Brussels R 330, The Metropolitan Museum of Art

Terracotta kylix (drinking cup)

Painter of Brussels R 330

mid-5th century BCE · Terracotta

Cleared · Public Domain

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The MetSimilar
Spinario (boy pulling a thorn from his foot) by Severo Calzetta da Ravenna, The Metropolitan Museum of Art

Spinario (boy pulling a thorn from his foot)

Severo Calzetta da Ravenna (d. 1543)

first half of the 16th century? · Bronze

Cleared · Public Domain

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The MetSimilar
Spinario (boy pulling a thorn from his foot) by an unrecorded maker, The Metropolitan Museum of Art

Spinario (boy pulling a thorn from his foot)

Unrecorded maker

first half of the 16th century? · Bronze

Cleared · Public Domain

live
The MetSimilar
Kneeling Bearded Old Man (recto); Section of a Draped Limb and Sketches (verso) by Nosadella (Giovanni Francesco Bezzi), The Metropolitan Museum of Art

Kneeling Bearded Old Man (recto); Section of a Draped Limb and Sketches (verso)

Nosadella (Giovanni Francesco Bezzi) (d. 1571)

1500–1571 · Red chalk, pen and brown ink with brush and brown and red wash, highlighted with a little white (recto); pen sketch of a seated, bearded man, and a red chalk drapery (?) study amongst charcoal or black chalk transfer preparation (verso)

Cleared · Public Domain

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The MetSimilar
Pendant in the form of a parrot by an unrecorded maker, The Metropolitan Museum of Art

Pendant in the form of a parrot

Unrecorded maker

late 16th–early 17th century · Baroque pearls with enameled gold mounts and with pendant pearls

Cleared · Public Domain

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The MetSimilar
Comparative Anatomy by Thomas Rowlandson, The Metropolitan Museum of Art

Comparative Anatomy

Thomas Rowlandson (d. 1827)

1800–25 · Etching

Cleared · Public Domain

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The MetSimilar
Madame Armand Bertin, née Marie-Anne-Cécile Dollfuss by Jean Auguste Dominique Ingres, The Metropolitan Museum of Art

Madame Armand Bertin, née Marie-Anne-Cécile Dollfuss

Jean Auguste Dominique Ingres (d. 1867)

1843 · Graphite

Cleared · Public Domain

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The MetSimilar
Walking Tiger by Antoine-Louis Barye, The Metropolitan Museum of Art

Walking Tiger

Antoine-Louis Barye (d. 1875)

modeled in 1841, possibly cast in the early 1840s · Bronze (sand-cast)

Cleared · Public Domain

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The MetSimilar
Study of a dog by Sir Edwin Henry Landseer, The Metropolitan Museum of Art

Study of a dog

Sir Edwin Henry Landseer (d. 1873)

1820–73 · Black chalk heightened with white and red chalk

Cleared · Public Domain

live
The MetSimilar
Hercules carrying his club by Niccolò Roccatagliata, The Metropolitan Museum of Art

Hercules carrying his club

Niccolò Roccatagliata (d. 1636)

possibly 17th century or later cast · Bronze

Cleared · Public Domain

live
The MetSimilar

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