Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
370 ms. The Metropolitan Museum of Art, Collection API (Open Access)
349 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 31 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Unidentified, Composite base, elevation; Temple of Concordia, Composite base, elevation; Unidentified, Composite base, elevation (recto) blank (verso)
Anonymous, French, 16th century (d. 1600)
ca. 1540–60 · Dark brown ink, black chalk, and incised lines
Cleared · Public Domain
live
Avanco del Tempio della Concordia
Giovanni Battista Piranesi (d. 1778)
1756 · Print, etching and engraving
Cleared · CC0
live
Concordia, from "Virtues"
Maerten de Vos (d. 1603)
ca. 1581 · Engraving
Cleared · Public Domain
live
Unite: Charles I (obverse); Crowned Shield (reverse)
Unrecorded maker
1625 · Coins, gold
Cleared · CC0
live
Tempio della Concordia
Eugène Constant (d. 1855)
1848–52 · Albumen print from glass negative
Cleared · Public Domain
live
Unite: Charles I (obverse); Crowned Shield (reverse)
Nicholas Briot (d. 1646)
1631–32 · Coins, gold
Cleared · CC0
live
Design for the Ancient Order of Foresters: "Unity, Benevolence and Concord"
Anonymous, British, 19th century (d. 1900)
19th century · Pen and ink, brush and wash, watercolor and gouache (bodycolor)
Cleared · Public Domain
live
Unite: Charles I (obverse); Crowned Shield (reverse)
Unrecorded maker
1630–1631 · Coins, gold
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Concordia, from "Deorum Dearumque Capita: ex vetustis numismatibus in gratiam antiquitatis studiosorum effigiata et edita"
Hans Vredeman de Vries (d. 1606)
1573 · Etching and engraving; first state of two (New Hollstein)
In copyright
live
Unite: Crowned Shield (reverse)
Unrecorded maker
1630–1631 · Coins, gold
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Concordia, from Deorum Dearumque Capita : ex vetustis numismatibus in gratiam antiquitatis studiosorum effigiata et edita
Hans Vredeman de Vries (d. 1606)
1573 · Etching and engraving; first state of two (New Hollstein)
In copyright
live
Unite: Crowned Shield (reverse)
Nicholas Briot (d. 1646)
1631–32 · Coins, gold
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.