
Condemned Soldiers from Scenes from the Life of Saint Nicholas
Unrecorded maker
ca. 1200–1210 · Pot-metal glass and vitreous paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
691 ms. The Metropolitan Museum of Art, Collection API (Open Access)
6 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 11,628 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Condemned Soldiers from Scenes from the Life of Saint Nicholas
Unrecorded maker
ca. 1200–1210 · Pot-metal glass and vitreous paint
Cleared · Public Domain
live
Saint Nicholas Accuses the Consul from Scenes from the Life of Saint Nicholas
Unrecorded maker
ca. 1200–1210 · Pot-metal glass and vitreous paint
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cavalry Attack with Soldiers Fleeing, from 'Battle Scenes I'
Antonio Tempesta (d. 1630)
1605–21 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Boche Soldiers Near Roye (Oise) from World War I Scenes souvenir cards (W500)
Unrecorded maker
ca. 1914–18 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Australian Soldiers Operating the American Lewis Gun from World War I Leaders, Scenes, Insignia cards (W545)
Unrecorded maker
1920s · Commercial color photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shell hole scene from "The Big Parade" from Scenes from Movies Exhibit Cards series (W404)
Unrecorded maker
ca. 1926 · Commercial color photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Proof plate: The Condemned, Lot and His Daughters, from "Rebel Women from the Apocrypha"
Marcelle Hanselaar (d. 9999)
2023–24 · Etching and aquatint with charcoal
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Proof plate: The Condemned, Lot and His Daughters, from "Rebel Women from the Apocrypha"
Marcelle Hanselaar (d. 9999)
2023–24 · Etching and aquatint with charcoal
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Proof plate: The Condemned, Lot and His Daughters, from "Rebel Women from the Apocrypha"
Marcelle Hanselaar (d. 9999)
2023–24 · Etching and aquatint with charcoal
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Proof plate: The Condemned, Lot and His Daughters, from "Rebel Women from the Apocrypha"
Marcelle Hanselaar (d. 9999)
2023–24 · Etching and aquatint with charcoal
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Proof plate: The Condemned, Lot and His Daughters, from "Rebel Women from the Apocrypha"
Marcelle Hanselaar (d. 9999)
2023–24 · Etching and aquatint with charcoal
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Condemned, Lot and his Daughters, from "Rebel Women from the Apocrypha"
Marcelle Hanselaar (d. 9999)
2023–24 · Etching and aquatint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.