Hanging depicting a European conflict in South India
Unrecorded maker
before 1763 · Cotton, plain weave (drawn and painted, mordant and resist dyed)
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
330 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
356 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 505 matching records exist across the two collections.
Results for "Conflict"12 records
Institutions answered newest-first by record, interleaved
Cupid and Psyche
Jacques-Louis David (d. 1825)
1817 · Painting, oil on canvas
Cleared · CC0
liveCleveland Museum of ArtSimilar
Conflict Between Quae Genus and Lawyer Gripe-all
Thomas Rowlandson (d. 1827)
October 1, 1821 · Hand-colored etching and aquatint
Cleared · Public Domain
liveThe MetSimilar
Figure of Britannia
Longton Hall Porcelain Factory
c. 1756 · Ceramic, soft-paste porcelain
Cleared · CC0
liveCleveland Museum of ArtSimilar
"The Irrepressible Conflict," or the Republican Barque in Danger
Louis Maurer (d. 1932)
1860 · Lithograph
Cleared · Public Domain
liveThe MetSimilar
The Brierwood Pipe
Winslow Homer (d. 1910)
1864 · Painting, oil on canvas
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Conflict Between Satan and Death (Paradise Lost of Milton, Book 2, line 727)
John Martin (d. 1854)
1824–25 · Mezzotint; proof
In copyright
liveThe MetSimilar
Solidarity
George Minne (d. 1941)
1898 · Sculpture, marble
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
["The Conflict over Slavery" Panel of Diego Rivera's Mural for the New Worker's School, New York City]
Walker Evans (d. 1975)
July–August 1933 · Film negative
In copyright
liveThe MetSimilar
Fighting Horses
Théodore Géricault (d. 1824)
c. 1820 · Drawing, watercolor over graphite
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
["The Conflict Over Slavery" Panel of Diego Rivera's Mural for the New Worker's School, New York City]
Walker Evans (d. 1975)
July–August 1933 · Film negative
In copyright
liveThe MetSimilar
Landi Kotal Camp
John Burke (d. 1915)
1878–80 · Photograph, albumen print
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.