Bay and Harbor of New York from Bedlow's Island
Edmund C. Coates (d. 1872)
1850–60 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
915 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
1059 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 10,392 matching records exist across the two collections.
Results for "Connoisseurs of Prints, from "New York C"9 records
Institutions answered newest-first by record, interleaved
Bay and Harbor of New York from Bedlow's Island
Edmund C. Coates (d. 1872)
1864 or 1866 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Broadside: First Annual Report of New-York Hospital, 1797
New-York Hospital (d. 1899)
1798 · Woodcut and letterpress
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Manhattanville, New York
George Endicott, New York (d. 1848)
1834 · Lithograph hand-colored with blue wash
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior View of the Floating Church of Our Saviour for Seamen, New York
George Endicott, New York (d. 1848)
1844 · Lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Floating Church of Our Saviour for Seamen, New York
George Endicott, New York (d. 1848)
1844 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior of Grace Church, New York
Ackermann's, New York (d. 1849)
1848–49 · Color lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New York, Taken From Battery Place
George Schlegel, New York (d. 1957)
1874 · Lithograph printed in color
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Connoisseurs of Prints, from "New York City Life"
John Sloan (d. 1951)
1905 · Etching
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.