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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    335 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    318 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 934 matching records exist across the two collections.

Results for "Constantinople"12 records

Institutions answered newest-first by record, interleaved

Goblet with Personifications of Cyprus, Rome, Constantinople, and Alexandria by an unrecorded maker, The Metropolitan Museum of Art

Goblet with Personifications of Cyprus, Rome, Constantinople, and Alexandria

Unrecorded maker

700s · Gold

Cleared · Public Domain

live
The MetSimilar
Leaf from a Lectionary with St. Matthew by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Lectionary with St. Matthew

Unrecorded maker

1057–1063 · Manuscript, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Woman of Constantinople by François Boucher, The Metropolitan Museum of Art

Woman of Constantinople

François Boucher (d. 1770)

ca. 1730–31 · Red chalk

Cleared · Public Domain

live
The MetSimilar
Icon of the New Testament Trinity by an unrecorded maker, The Cleveland Museum of Art

Icon of the New Testament Trinity

Unrecorded maker

c. 1450 · Painting, Tempera and gold on wood panel (poplar)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
A woman of European descent in Pera, Constantinople receiving visitors, followed by a young girl (Une Dame Franques de Pera à Constantinople recevant visite) by Jean Etienne Liotard, The Metropolitan Museum of Art

A woman of European descent in Pera, Constantinople receiving visitors, followed by a young girl (Une Dame Franques de Pera à Constantinople recevant visite)

Jean Etienne Liotard (d. 1789)

1745 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Leaf from a Lectionary with St. Luke by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Lectionary with St. Luke

Unrecorded maker

1057–1063 · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Landscape near Constantinople by Franz von Hauslab the Younger, The Metropolitan Museum of Art

Landscape near Constantinople

Franz von Hauslab the Younger (d. 1883)

19th century · Pencil on tracing paper, mounted (backward) on paper.

Cleared · Public Domain

live
The MetSimilar
Text, folio 11 (recto), from a Gospel Book with Commentaries by an unrecorded maker, The Cleveland Museum of Art

Text, folio 11 (recto), from a Gospel Book with Commentaries

Unrecorded maker

c. 1000–1100 · Bound Volume, ink, tempera, and gold on vellum; leather binding

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaving Constantinople (from Sketchbook) by Mary Newbold Sargent, The Metropolitan Museum of Art

Leaving Constantinople (from Sketchbook)

Mary Newbold Sargent (d. 1906)

1904 · Graphite on paper

Cleared · Public Domain

live
The MetSimilar
Text, folio 16 (verso), from a Gospel Book with Commentaries by an unrecorded maker, The Cleveland Museum of Art

Text, folio 16 (verso), from a Gospel Book with Commentaries

Unrecorded maker

c. 1000–1100 · Bound Volume, ink, tempera, and gold on vellum; leather binding

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior of the Harem of the Great Lord of Constantinople (from Voyages Pittoresques de Constantinople et des Rives du Bosphore)

Anton Ignaz Melling (d. 1831)

1809–19 · Etching

In copyright

live
The MetSimilar
Text, folio 17 (recto), from a Gospel Book with Commentaries by an unrecorded maker, The Cleveland Museum of Art

Text, folio 17 (recto), from a Gospel Book with Commentaries

Unrecorded maker

c. 1000–1100 · Bound Volume, ink, tempera, and gold on vellum; leather binding

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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