Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
458 ms. The Metropolitan Museum of Art, Collection API (Open Access)
469 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 35 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Belphegor, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Jean-Baptiste Patas (d. 1802)
1795 · Etching and engraving; second state of three (Cohen)
Cleared · Public Domain
live
Belphegor, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Jean-Baptiste Patas (d. 1802)
1795 · Etching and engraving; third state of three (Cohen)
Cleared · Public Domain
live
Contes et nouvelles en vers par Jean de la Fontaine
Jean de La Fontaine (d. 1695)
1795
Cleared · Public Domain
live
Contes et nouvelles en vers: A Femme avare galant Escroc, from "Les Contes de la Fontaine"
Jacques Aliamet (d. 1788)
1795 · Etching; first state of three (Cohen)
Cleared · Public Domain
live
Le Faucon, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Jean-Baptiste Tilliard (d. 1740)
published in 1795 · Etching and engraving; third state of three (Cohen)
Cleared · Public Domain
live
Le Magnifique, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Jean-Baptiste Tilliard (d. 1740)
1795 · Etching and engraving; second state of three (Cohen)
Cleared · Public Domain
live
Le Magnifique, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Jean-Baptiste Tilliard (d. 1740)
1795 · Etching and engraving; second state of three (Cohen)
Cleared · Public Domain
live
Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795
Jean-Baptiste Tilliard (d. 1740)
1795 · Etching; first state of three (Cohen)
Cleared · Public Domain
live
A Femme avare galant Escroc, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Jacques Aliamet (d. 1788)
1795 · Etching and engraving; second state of three (Cohen)
Cleared · Public Domain
live
La Clochette, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Jean Dambrun (d. 1808)
1795 · Etching; first state of three (Cohen)
Cleared · Public Domain
live
Le Faucon, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Jean-Baptiste Tilliard (d. 1740)
1795 · Etching; first state of three (Cohen)
Cleared · Public Domain
live
Le Muletier, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Jean Honoré Fragonard (d. 1806)
1795 · Etching; first state of three (Cohen)
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.