Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
338 ms. The Metropolitan Museum of Art, Collection API (Open Access)
312 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 216 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Series fof Cartouches, in: Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 34)
Cornelis Bos (d. 1556)
ca. 1545–60 · Engraving
Cleared · Public Domain
live
The Mystic Marriage of St. Catherine
Marco Angolo del Moro (d. 1586)
16th century · Etching
Cleared · Public Domain
live
Design for the Breastplate of a Suit of Armor
Etienne Delaune (d. 1599)
ca. 1576 · Pen and brown ink with light blue wash
Cleared · Public Domain
live
Copy in Reverse Design Orientation: Based on the Group of Reclining Figures at Left in Domenico Beccafumi's Scene of Moses Striking the Rock in the Pavement of Siena Cathedral
Domenico Beccafumi (d. 1551)
October 15, 1596 · Pen and brown ink, brush and brown wash, over traces of black chalk; framing lines in pen and brown ink
Cleared · Public Domain
live
Blackwork Design with Five Motifs
Georg Arnoldt (d. 1636)
ca. 1581–1636 · Engraving and blackwork
Cleared · Public Domain
live
Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 2)
Jacob Floris (d. 1581)
1773 · Etching and engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy in reverse after a Cartouche Design, from "Petits Cartouches"
Anonymous, Italian, 16th century (d. 1600)
1545 or after · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 7b: Neptune Calming the Winds from the 'Quos Ego'
Andrea Schiavone (Andrea Meldola) (d. 1563)
1545–47 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 28a: The Finding of Moses; eight female figures kneeling and turning towards the baby Moses under a tree on the right
Battista Angolo del Moro (d. 1573)
1550–70 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Candlestick in the Antique Manner with a Crayfish
Anonymous, Italian, 16th century (d. 1600)
1552 or ca. 1573 · Engraving; first or second edition
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy in Reverse of a Design for a Candlestick in the Antique Manner
Anonymous, Italian, 16th century (d. 1600)
ca. 1552–70 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reverse copy of a design with a small vase with flowers in an oval at bottom, from Montants de trophées d'armes à l'antique, right-hand side of plate 3
Jean Le Pautre (d. 1682)
17th century · Etching
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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