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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    475 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    317 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 50 matching records exist across the two collections.

Results for "Copy of John Frederic the Magnanimous, i"12 records

Institutions answered newest-first by record, interleaved

Young St. John the Baptist by Antonio Lombardo, The Metropolitan Museum of Art

Young St. John the Baptist

Antonio Lombardo (d. 1516)

early 16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Copy of John Frederic the Magnanimous, in Electoral Robes by Lucas Cranach the Younger and Workshop, The Metropolitan Museum of Art

Copy of John Frederic the Magnanimous, in Electoral Robes

Lucas Cranach the Younger and Workshop (d. 1586)

1586 · Woodcut; first state of two (Hollstein)

Cleared · Public Domain

live
The MetSimilar
Copy of John Frederic the Magnanimous, in Electoral Robes by Lucas Cranach the Younger and Workshop, The Metropolitan Museum of Art

Copy of John Frederic the Magnanimous, in Electoral Robes

Lucas Cranach the Younger and Workshop (d. 1586)

1586 · Woodcut; second state of two (Hollstein)

Cleared · Public Domain

live
The MetSimilar
Saints Peter and John Healing the Lame Man by Nicolas Poussin, The Metropolitan Museum of Art

Saints Peter and John Healing the Lame Man

Nicolas Poussin (d. 1665)

1655 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Adam and Eve with Charles I and Henrietta Maria by an unrecorded maker, The Metropolitan Museum of Art

Adam and Eve with Charles I and Henrietta Maria

Unrecorded maker

after 1634 · Canvas worked with silk and metal thread; tent and couching stitches

Cleared · Public Domain

live
The MetSimilar
Perseus (from Sketchbook) by John Quincy Adams Ward, The Metropolitan Museum of Art

Perseus (from Sketchbook)

John Quincy Adams Ward (d. 1910)

ca. 1860 · Graphite on paper

Cleared · Public Domain

live
The MetSimilar
A seated couple, embracing by Sir Edward Burne-Jones, The Metropolitan Museum of Art

A seated couple, embracing

Sir Edward Burne-Jones (d. 1898)

ca. 1865 · White chalk with graphite

Cleared · Public Domain

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The MetSimilar
Napoleon by Antoine Denis Chaudet, The Metropolitan Museum of Art

Napoleon

Antoine Denis Chaudet (d. 1810)

19th century · White marble

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

John Frederic the Magnanimous (Derschau restrike)

Lucas Cranach the Elder (d. 1553)

16th century · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Marriage at Cana (from scrapbook)

John Singer Sargent (d. 1925)

ca. 1872–74 · Graphite and watercolor on off-white wove paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Whirlwind, A Lively and Eccentric Newspaper: The Organ of the Hon. Stuart Erskine, and Mr. Herbert Vivian [London, June 28, 1890 - Sept. 13, 1890, Vol. I, Nos. 1-12]

Stuart Richard Erskine (d. 1960)

June 28–September 13, 1890 · Illustrations: lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Lafayette

John Sloan (d. 1951)

1928 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.