
La Maraude (Pilfering), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 4
Jacques Callot (d. 1635)
1633 · Etching; second state of three (Lieure)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
328 ms. The Metropolitan Museum of Art, Collection API (Open Access)
340 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 39 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

La Maraude (Pilfering), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 4
Jacques Callot (d. 1635)
1633 · Etching; second state of three (Lieure)
Cleared · Public Domain
live
La Maraude (Pilfering), plate 4 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)
Jacques Callot (d. 1635)
1633 · Etching; second state of three (Lieure)
Cleared · Public Domain
live
La Maraude (Pilfering), plate 4 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)
Jacques Callot (d. 1635)
1633 · Etching; first or second state of three (Lieure)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Maraude (Pilfering), plate 4 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)
Jacques Callot (d. 1635)
1633 · Etching; second state of three (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Maraude (Pilfering), plate 4 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)
Jacques Callot (d. 1635)
1633 · Etching; second state of three (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reverse copy of the birth of Constantine, from Grandes alcôves à la romaine, plate 4
Melchior Küsel (d. 1683)
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy of La Maraude (Pilfering), plate 4 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)
Anonymous
after 1633 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: ["Parade, Ballet réaliste": copyist's manuscript for rehearsal of Parade]
Unrecorded maker
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Cocteau's handwritten draft of libretto for Parade]
Jean Cocteau (d. 1963)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Cocteau's handwritten notes for Parade captioned "La Petite Fille Americaine"]
Jean Cocteau (d. 1963)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Notes by Cocteau addressed to Satie, "Pour le numéro de la petite fille americaine"]
Jean Cocteau (d. 1963)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Postcard from Satie to Cocteau (4)]
Erik Satie (d. 1925)
1916–17
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.