Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    189 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    325 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 11 matching records exist across the two collections.

Results for "Copy of La Pendasion (The Hanging), plat"11 records

Institutions answered newest-first by record, interleaved

La Pendaison (The Hanging), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 11 by Jacques Callot, The Metropolitan Museum of Art

La Pendaison (The Hanging), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 11

Jacques Callot (d. 1635)

1633 · Etching; second state of three (Lieure)

Cleared · Public Domain

live
The MetSimilar
La Pendasion (The Hanging), plate 11 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War) by Jacques Callot, The Metropolitan Museum of Art

La Pendasion (The Hanging), plate 11 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)

Jacques Callot (d. 1635)

1633 · Etching; first or second state of three (Lieure)

Cleared · Public Domain

live
The MetSimilar
Armchair (fauteuil à la reine) by an unrecorded maker, The Metropolitan Museum of Art

Armchair (fauteuil à la reine)

Unrecorded maker

ca. 1690–1710 · Carved and gilded walnut, late 17th-century wool velvet (not original)

Cleared · Public Domain

live
The MetSimilar
Monk of Longmen in Ni Zan Style by Wan Shanglin, The Metropolitan Museum of Art

Monk of Longmen in Ni Zan Style

Wan Shanglin (d. 1813)

1800 · Hanging scroll; ink on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Pendaison (The Hanging), plate 11 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)

Jacques Callot (d. 1635)

1633 · Etching; second state of three (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Pendasion (The Hanging), plate 11 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)

Jacques Callot (d. 1635)

1633 · Etching; second state of three (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Pendasion (The Hanging), plate 11 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)

Jacques Callot (d. 1635)

1633 · Etching; second state of three (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Copy of La Pendasion (The Hanging), plate 11 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)

Anonymous

after 1633 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Journal des Dames et des Modes, No. 46 (1 Septembre 1913)

Vaugirard

1913 · plates: hand colored engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dongfang Shou as a Youth

Shao Shaoyi (d. 1954)

early 20th century · Hanging scroll; ink and color on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Stealing the Orchid Pavilion Manuscript

Fu Xiaoshi (d. 9999)

ca. 1970s · Horizontal hanging scroll; ink and color on paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.