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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    5309 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    275 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 119 matching records exist across the two collections.

Results for "Corded quilt"12 records

Institutions answered newest-first by record, interleaved

Corded crib quilt by an unrecorded maker, The Metropolitan Museum of Art

Corded crib quilt

Unrecorded maker

ca. 1700 · Cotton: corded "whitework"

Cleared · Public Domain

live
The MetSimilar
Corded quilt by an unrecorded maker, The Metropolitan Museum of Art

Corded quilt

Unrecorded maker

ca. 1700 · Linen, cotton: corded "whitework"

Cleared · Public Domain

live
The MetSimilar
Dressing jacket by an unrecorded maker, The Metropolitan Museum of Art

Dressing jacket

Unrecorded maker

1725–50 · linen

Cleared · Public Domain

live
The MetSimilar
Quilt, Wholecloth calamanco by an unrecorded maker, The Metropolitan Museum of Art

Quilt, Wholecloth calamanco

Unrecorded maker

ca. 1780 · Wool

Cleared · Public Domain

live
The MetSimilar
Stuffed quilt by an unrecorded maker, The Metropolitan Museum of Art

Stuffed quilt

Unrecorded maker

ca. 1750–1800 · Cotton: stuffed "whitework"

Cleared · Public Domain

live
The MetSimilar
Wholecloth whitework quilt by Sarah Cook, The Metropolitan Museum of Art

Wholecloth whitework quilt

Sarah Cook (d. 9999)

ca. 1800 · Quilted cotton

Cleared · Public Domain

live
The MetSimilar
Quilt, Marseilles type by an unrecorded maker, The Metropolitan Museum of Art

Quilt, Marseilles type

Unrecorded maker

ca. 1800–1820 · Cotton, woven

Cleared · Public Domain

live
The MetSimilar
Stuffed and corded crib quilt by an unrecorded maker, The Metropolitan Museum of Art

Stuffed and corded crib quilt

Unrecorded maker

ca. 1835 · Linen, cotton: "whitework" stuffed and corded

Cleared · Public Domain

live
The MetSimilar
Stuffed and corded quilt by an unrecorded maker, The Metropolitan Museum of Art

Stuffed and corded quilt

Unrecorded maker

ca. 1835 · Cotton: "whitework" stuffed and corded

Cleared · Public Domain

live
The MetSimilar
Stuffed and corded quilt by an unrecorded maker, The Metropolitan Museum of Art

Stuffed and corded quilt

Unrecorded maker

ca. 1845 · Cotton: "whitework" stuffed and corded

Cleared · Public Domain

live
The MetSimilar
Quilt, pieced by an unrecorded maker, The Metropolitan Museum of Art

Quilt, pieced

Unrecorded maker

ca. 1850 · Cotton

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Evening dress

Madame Grès (Germaine Émilie Krebs) (d. 1993)

fall/winter 1979 · silk

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.