Cuckfield (An Excursion to Brighthelmstone)
Thomas Rowlandson (d. 1827)
June 1, 1790 · Etching and aquatint
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
413 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
282 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 21 matching records exist across the two collections.
Results for "Corner of Rottenrow and Taylor Street (G"12 records
Institutions answered newest-first by record, interleaved
Church of the Saviour (First Unitarian Congregational), Brooklyn
Ezra Bisbee (d. 1856)
1845 · Hand colored lithograph
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cuckfield (from An Excursion to Brighthelmstone, made in the year 1789)
Thomas Rowlandson (d. 1827)
1790 · Etching and aquatint
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Franklin House, New York, No. 197 Broadway, Corner of Dey Street, Hayes & Treadwell Proprietors
George T. Sandford (d. 1900)
ca. 1845 · Lithograph with two tint stones
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Broadway, New York with Park View at Center
Tallis & Co. (d. 1863)
1854 · Steel engraving
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Maiden Lane from No. 1 to No. 65
Tallis & Co. (d. 1863)
1854 · Steel engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Carlton House, 350 & 352 Broadway, Corner of Leonard Street, New York
John Penniman (d. 1850)
ca. 1850 · Lithograph with tint stone
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lord & Taylor Dry-Goods, 461, 463, 465 & 467 Broadway (Corner of Grand Street), New York
Henry Lawrence (d. 1863)
ca. 1859 · Lithograph with two tint stones
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Residence of Henry G. Marquand, Esq., New York (Richard M. Hunt, Architect)
E.J. Meeker (d. 1900)
ca. 1882 · Photoengraving or lithograph
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Corner of Rottenrow and Taylor Street (Glasgow)
Sir David Young Cameron (d. 1945)
1892 · Etching; only state
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Iron Fire Tower, 33rd Street and West Side of Broadway, Corner of Spring Street in 1820 (recto), and Rooftop Scene (verso), design for "The Cosmopolitan, Monthly Illustrated Magazine," vol. XIV
Dan Beard (d. 1941)
1892 · Pen and ink
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
West Forty-Second Street, Night
John Taylor Arms (d. 1953)
1922 · Etching and aquatint, printed in blue and black inks
In copyright
liveThe MetSimilar
1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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