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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    300 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    660 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10,096 matching records exist across the two collections.

Results for "Cornice"12 records

Institutions answered newest-first by record, interleaved

Window Cornice by an unrecorded maker, The Metropolitan Museum of Art

Window Cornice

Unrecorded maker

1760–90 · Atlantic white cedar

Cleared · Public Domain

live
The MetSimilar
Kast by an unrecorded maker, The Cleveland Museum of Art

Kast

Unrecorded maker

c. 1710–1740 · Furniture and woodwork, Various woods, wrought iron

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Window cornice by an unrecorded maker, The Metropolitan Museum of Art

Window cornice

Unrecorded maker

ca. 1825 · Gilt and painted wood

Cleared · Public Domain

live
The MetSimilar
Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso) by Lievin Cruyl, The Cleveland Museum of Art

Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso)

Lievin Cruyl (d. 1720)

1664 · Drawing, pen and brown ink and brush and gray and blue wash over graphite; squared in graphite (two figures in the foreground); framing lines in brown ink

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Window Cornice by an unrecorded maker, The Metropolitan Museum of Art

Window Cornice

Unrecorded maker

ca. 1825 · Gilt and painted wood

Cleared · Public Domain

live
The MetSimilar
Eighteen Views of Rome: The Piazza Farnese (recto) by Lievin Cruyl, The Cleveland Museum of Art

Eighteen Views of Rome: The Piazza Farnese (recto)

Lievin Cruyl (d. 1720)

1664 · Drawing, pen and brown ink and brush and gray and blue wash over graphite; squared in graphite (two figures in the foreground); framing lines in brown ink

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Window Cornice by an unrecorded maker, The Metropolitan Museum of Art

Window Cornice

Unrecorded maker

ca. 1825 · Wood

Cleared · Public Domain

live
The MetSimilar
Cartouche (verso) by Lievin Cruyl, The Cleveland Museum of Art

Cartouche (verso)

Lievin Cruyl (d. 1720)

1664 · Drawing, graphite

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Window Cornice by an unrecorded maker, The Metropolitan Museum of Art

Window Cornice

Unrecorded maker

ca. 1825 · Wood

Cleared · Public Domain

live
The MetSimilar
Upper Paneling from a Sacristy Armoire by Giuliano da Maiano, The Cleveland Museum of Art

Upper Paneling from a Sacristy Armoire

Giuliano da Maiano (d. 1490)

c. 1460–75 · Furniture and woodwork, walnut, inlaid with holly and ebony

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Window Cornice by John Jelliff, The Metropolitan Museum of Art

Window Cornice

John Jelliff (d. 1893)

1868–70 · Rosewood, gilt, and mother-of-pearl

Cleared · Public Domain

live
The MetSimilar
Window Cornice by John Jelliff, The Metropolitan Museum of Art

Window Cornice

John Jelliff (d. 1893)

1868–70 · Rosewood, gilt, and mother-of-pearl

Cleared · Public Domain

live
The MetSimilar

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