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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    213 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    276 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 34 matching records exist across the two collections.

Results for "Cornice, from "Speculum Romanae Magnific"12 records

Institutions answered newest-first by record, interleaved

Corinthian Entablature, from "Speculum Romanae Magnificentiae" by Agostino Veneziano (Agostino dei Musi), The Metropolitan Museum of Art

Corinthian Entablature, from "Speculum Romanae Magnificentiae"

Agostino Veneziano (Agostino dei Musi) (d. 1536)

1528 · Engraving

Cleared · Public Domain

live
The MetSimilar
Ionic Entablature, from "Speculum Romanae Magnificentiae" by Agostino Veneziano (Agostino dei Musi), The Metropolitan Museum of Art

Ionic Entablature, from "Speculum Romanae Magnificentiae"

Agostino Veneziano (Agostino dei Musi) (d. 1536)

1528 · Engraving

Cleared · Public Domain

live
The MetSimilar
Doric Entablature, from "Speculum Romanae Magnificentiae" by Agostino Veneziano (Agostino dei Musi), The Metropolitan Museum of Art

Doric Entablature, from "Speculum Romanae Magnificentiae"

Agostino Veneziano (Agostino dei Musi) (d. 1536)

1536 · Engraving

Cleared · Public Domain

live
The MetSimilar
Entablature from the Temple of Castor and Pollux, Rome, from "Speculum Romanae Magnificentiae" by Master PS, The Metropolitan Museum of Art

Entablature from the Temple of Castor and Pollux, Rome, from "Speculum Romanae Magnificentiae"

Master PS

1537 · Engraving

Cleared · Public Domain

live
The MetSimilar
Corinthian entablature, from "Speculum Romanae Magnificentiae" by Monogrammist G.A. with the Caltrop, The Metropolitan Museum of Art

Corinthian entablature, from "Speculum Romanae Magnificentiae"

Monogrammist G.A. with the Caltrop (d. 1535)

ca. 1535 · Engraving

Cleared · Public Domain

live
The MetSimilar
Doric order, from "Speculum Romanae Magnificentiae" by Monogrammist G.A. with the Caltrop, The Metropolitan Museum of Art

Doric order, from "Speculum Romanae Magnificentiae"

Monogrammist G.A. with the Caltrop (d. 1535)

ca. 1537 · Engraving

Cleared · Public Domain

live
The MetSimilar
Stazzi Palace, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Stazzi Palace, from "Speculum Romanae Magnificentiae"

Anonymous

1549 · Engraving

Cleared · Public Domain

live
The MetSimilar
Portico of the Temple of Julius, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Portico of the Temple of Julius, from "Speculum Romanae Magnificentiae"

Anonymous

1550 · Engraving

Cleared · Public Domain

live
The MetSimilar
Alberini Palace, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Alberini Palace, from "Speculum Romanae Magnificentiae"

Anonymous

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Arch of Gallienus, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Arch of Gallienus, from "Speculum Romanae Magnificentiae"

Anonymous

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Cornice, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Cornice, from "Speculum Romanae Magnificentiae"

Anonymous

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Cornice, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Cornice, from "Speculum Romanae Magnificentiae"

Anonymous

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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