Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    436 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    429 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 232 matching records exist across the two collections.

Results for "Corpus (Crucified Christ)"12 records

Institutions answered newest-first by record, interleaved

Crucified Christ by an unrecorded maker, The Metropolitan Museum of Art

Crucified Christ

Unrecorded maker

ca. 1125–50 · Gilded copper alloy

Cleared · Public Domain

live
The MetSimilar
Corpus (Crucified Christ) by an unrecorded maker, The Cleveland Museum of Art

Corpus (Crucified Christ)

Unrecorded maker

late 1800s-early 1900s · Sculpture, Copper alloy

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Crucified Christ by an unrecorded maker, The Metropolitan Museum of Art

Crucified Christ

Unrecorded maker

ca. 1150 · Gilded copper alloy

Cleared · Public Domain

live
The MetSimilar
Crucified Christ by Hans Leinberger, The Cleveland Museum of Art

Crucified Christ

Hans Leinberger

c. 1525–1530 · Sculpture, lindenwood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Crucified Christ by an unrecorded maker, The Metropolitan Museum of Art

Crucified Christ

Unrecorded maker

ca. 1140–60 · Gilded copper alloy

Cleared · Public Domain

live
The MetSimilar
Crucified Christ by an unrecorded maker, The Cleveland Museum of Art

Crucified Christ

Unrecorded maker

late 1300s · Sculpture, painted and gilded wood (poplar)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Crucified Christ by an unrecorded maker, The Metropolitan Museum of Art

Crucified Christ

Unrecorded maker

ca. 1160 · Gilded copper alloy

Cleared · Public Domain

live
The MetSimilar
Corpus from a Crucifix by an unrecorded maker, The Cleveland Museum of Art

Corpus from a Crucifix

Unrecorded maker

c. 1130–1140 · Sculpture, polychromed wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Crucified Christ by an unrecorded maker, The Metropolitan Museum of Art

Crucified Christ

Unrecorded maker

ca. 1150–75 · Gilded copper alloy

Cleared · Public Domain

live
The MetSimilar
Crucified Christ by an unrecorded maker, The Metropolitan Museum of Art

Crucified Christ

Unrecorded maker

third quarter 12th century · Cast copper alloy engraved and stippled, with traces of gilding

Cleared · Public Domain

live
The MetSimilar
Crucified Christ by an unrecorded maker, The Metropolitan Museum of Art

Crucified Christ

Unrecorded maker

ca. 1300 · Walrus ivory with traces of paint and gilding

Cleared · Public Domain

live
The MetSimilar
Crucified Christ by an unrecorded maker, The Metropolitan Museum of Art

Crucified Christ

Unrecorded maker

second half 13th century · Copper alloy with gilding

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.