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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    391 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    502 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 45 matching records exist across the two collections.

Results for "Cosimo I de' Medici (1519–1574)"12 records

Institutions answered newest-first by record, interleaved

Cosimo I de' Medici (1519–1574), Duke of Florence by Baccio Bandinelli, The Metropolitan Museum of Art

Cosimo I de' Medici (1519–1574), Duke of Florence

Baccio Bandinelli (d. 1560)

1539–40 · Marble

Cleared · Public Domain

live
The MetSimilar
Bacchus by Domenico Poggini, The Metropolitan Museum of Art

Bacchus

Domenico Poggini (d. 1590)

1554 · Marble

Cleared · Public Domain

live
The MetSimilar
Cosimo I de'Medici (1519–1574), Duke of Florence, 1537; Grand Duke of Tuscany, 1569 by Domenico Poggini, The Metropolitan Museum of Art

Cosimo I de'Medici (1519–1574), Duke of Florence, 1537; Grand Duke of Tuscany, 1569

Domenico Poggini (d. 1590)

1561 · Gilt bronze

Cleared · Public Domain

live
The MetSimilar
Cosimo I de' Medici by an unrecorded maker, The Metropolitan Museum of Art

Cosimo I de' Medici

Unrecorded maker

mid-16th century · Gilt bronze

Cleared · Public Domain

live
The MetSimilar
Cosimo I de' Medici 1519-74, Duke of Florence 1537-69, Grand Duke of Tuscany 1569-74 by Domenico Poggini, The Metropolitan Museum of Art

Cosimo I de' Medici 1519-74, Duke of Florence 1537-69, Grand Duke of Tuscany 1569-74

Domenico Poggini (d. 1590)

1567 · Silver

Cleared · Public Domain

live
The MetSimilar
Cosimo I de' Medici, Duke of Florence and Siena by Pietro Paolo Galeotti, The Metropolitan Museum of Art

Cosimo I de' Medici, Duke of Florence and Siena

Pietro Paolo Galeotti (d. 1600)

1557–69 · Bronze

Cleared · Public Domain

live
The MetSimilar
Cosimo I de' Medici (1519–1574) by Bronzino, The Metropolitan Museum of Art

Cosimo I de' Medici (1519–1574)

Bronzino (d. 1572)

1572 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Cosimo de' Medici (1519–1574), Duke of Florence and Grand Duke of Tuscany by Grand-ducal workshops, Florence, The Metropolitan Museum of Art

Cosimo de' Medici (1519–1574), Duke of Florence and Grand Duke of Tuscany

Grand-ducal workshops, Florence

ca. 1567–69 · Lapis lazuli

Cleared · Public Domain

live
The MetSimilar
Ewer (Brocca) by Medici Porcelain Manufactory, The Metropolitan Museum of Art

Ewer (Brocca)

Medici Porcelain Manufactory (d. 1592)

ca. 1575–87 · Soft-paste porcelain decorated in underglaze blue

Cleared · Public Domain

live
The MetSimilar
Combination Ax-Pistol of Grand Duke Ferdinand I de' Medici (1549–1609) by an unrecorded maker, The Metropolitan Museum of Art

Combination Ax-Pistol of Grand Duke Ferdinand I de' Medici (1549–1609)

Unrecorded maker

ca. 1580 · Steel, gold

Cleared · Public Domain

live
The MetSimilar
Portrait of Cosimo I de' Medici by Lucas Vorsterman I, The Metropolitan Museum of Art

Portrait of Cosimo I de' Medici

Lucas Vorsterman I (d. 1675)

1610–50 · Engraving; only state

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Henry III, King of France (1574–89), and Catherine de Medici (1519–89)

Paris Mint

16th and 20th century · Bronze

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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