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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    355 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 24 matching records exist across the two collections.

Results for "Cosmetic Vessel"10 records

Institutions answered newest-first by record, interleaved

Cosmetic Vessel by an unrecorded maker, The Cleveland Museum of Art

Cosmetic Vessel

Unrecorded maker

c. 1980–1901 BCE · Vessels, anhydrite

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Cosmetic Vessel (Beaker) by an unrecorded maker, The Cleveland Museum of Art

Cosmetic Vessel (Beaker)

Unrecorded maker

c. 1859–1814 BCE · Vessels, obsidian and gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Cosmetic Jar in the Form of the God Bes by an unrecorded maker, The Cleveland Museum of Art

Cosmetic Jar in the Form of the God Bes

Unrecorded maker

664–525 BCE · Vessels, Egyptian blue

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Cosmetic Vessel (Cylinder Beaker) by an unrecorded maker, The Cleveland Museum of Art

Cosmetic Vessel (Cylinder Beaker)

Unrecorded maker

1980–1801 BCE · Vessels, travertine

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Vessel in the Form of an Ostrich Egg by an unrecorded maker, The Cleveland Museum of Art

Vessel in the Form of an Ostrich Egg

Unrecorded maker

c. 1540–1296 BCE · Vessels, travertine

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Askos by an unrecorded maker, The Cleveland Museum of Art

Askos

Unrecorded maker

200–1 BCE · Cosmetic Objects, agate and gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Cosmetic Vessel by an unrecorded maker, The Cleveland Museum of Art

Cosmetic Vessel

Unrecorded maker

2770–2573 BCE · Vessels, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Alabastron (stopper) by an unrecorded maker, The Cleveland Museum of Art

Alabastron (stopper)

Unrecorded maker

305–222 BCE · Vessels, travertine

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Alabastron by an unrecorded maker, The Cleveland Museum of Art

Alabastron

Unrecorded maker

305–222 BCE · Vessels, travertine

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Alabastron by an unrecorded maker, The Cleveland Museum of Art

Alabastron

Unrecorded maker

305–222 BCE · Vessels, travertine

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.