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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    256 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    365 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 168 matching records exist across the two collections.

Results for "Cosmetic jar with a stopper"12 records

Institutions answered newest-first by record, interleaved

Cosmetic jar by an unrecorded maker, The Metropolitan Museum of Art

Cosmetic jar

Unrecorded maker

ca. 1805 B.C. · Travertine (Egyptian alabaster)

Cleared · Public Domain

live
The MetSimilar
Cosmetic jar with lid by an unrecorded maker, The Metropolitan Museum of Art

Cosmetic jar with lid

Unrecorded maker

ca. 1805 B.C. · Travertine (Egyptian alabaster)

Cleared · Public Domain

live
The MetSimilar
Wide-Necked Cosmetic Jar by an unrecorded maker, The Metropolitan Museum of Art

Wide-Necked Cosmetic Jar

Unrecorded maker

ca. 1550–1450 BCE · Travertine (Egyptian alabaster)

Cleared · Public Domain

live
The MetSimilar
Open-Mouthed Cosmetic Jar with Lid by an unrecorded maker, The Metropolitan Museum of Art

Open-Mouthed Cosmetic Jar with Lid

Unrecorded maker

ca. 1504–1447 BCE · Travertine (Egyptian alabaster)

Cleared · Public Domain

live
The MetSimilar
Kohl Jar with a Cloth Stopper by an unrecorded maker, The Metropolitan Museum of Art

Kohl Jar with a Cloth Stopper

Unrecorded maker

ca. 1635–1458 BCE · Serpentinite (?), linen stopper wad

Cleared · Public Domain

live
The MetSimilar
Open-Mouthed Cosmetic Jar with Mud Stopper by an unrecorded maker, The Metropolitan Museum of Art

Open-Mouthed Cosmetic Jar with Mud Stopper

Unrecorded maker

ca. 1504–1447 BCE · Travertine (Egyptian alabaster), mud

Cleared · Public Domain

live
The MetSimilar
Jar Stopper by an unrecorded maker, The Metropolitan Museum of Art

Jar Stopper

Unrecorded maker

ca. 1080 BCE or later · Grass

Cleared · Public Domain

live
The MetSimilar
Cosmetic jar by Barnard Brothers, The Metropolitan Museum of Art

Cosmetic jar

Barnard Brothers

1874–75 · Silver, glass

Cleared · Public Domain

live
The MetSimilar
Cosmetic jar by Barnard Brothers, The Metropolitan Museum of Art

Cosmetic jar

Barnard Brothers

1874–75 · Silver, glass

Cleared · Public Domain

live
The MetSimilar
Cosmetic jar by Barnard Brothers, The Metropolitan Museum of Art

Cosmetic jar

Barnard Brothers

1874–75 · Silver, glass

Cleared · Public Domain

live
The MetSimilar
Cosmetic jar by Barnard Brothers, The Metropolitan Museum of Art

Cosmetic jar

Barnard Brothers

1874–75 · Silver, glass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cosmetic jar with a stopper

Unrecorded maker

ca. 2030–1640 B.C. · Aragonite, wax

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.