Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    1279 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    320 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "Cosmetic pencil"12 records

Institutions answered newest-first by record, interleaved

Cosmetic pencil by an unrecorded maker, The Metropolitan Museum of Art

Cosmetic pencil

Unrecorded maker

ca. 6th–8th century CE · Bronze

Cleared · Public Domain

live
The MetSimilar
Étui with unidentified portraits by an unrecorded maker, The Metropolitan Museum of Art

Étui with unidentified portraits

Unrecorded maker

ca. 1765–70 · Enameled copper

Cleared · Public Domain

live
The MetSimilar
Book-shaped nécessaire by an unrecorded maker, The Metropolitan Museum of Art

Book-shaped nécessaire

Unrecorded maker

ca. 1765–1770 · Enameled and gilt copper

Cleared · Public Domain

live
The MetSimilar
Étui by an unrecorded maker, The Metropolitan Museum of Art

Étui

Unrecorded maker

ca. 1765–70 · Copper, enamel

Cleared · Public Domain

live
The MetSimilar
Étui by Robert Sayer, The Metropolitan Museum of Art

Étui

Robert Sayer (d. 1794)

ca. 1765–70 · Enameled copper

Cleared · Public Domain

live
The MetSimilar
Étui by an unrecorded maker, The Metropolitan Museum of Art

Étui

Unrecorded maker

ca. 1765–70 · Enameled copper

Cleared · Public Domain

live
The MetSimilar
Étui by an unrecorded maker, The Metropolitan Museum of Art

Étui

Unrecorded maker

ca. 1765–70 · Copper, enamel

Cleared · Public Domain

live
The MetSimilar
Étui by Jacques Philippe Le Bas, The Metropolitan Museum of Art

Étui

Jacques Philippe Le Bas (d. 1783)

ca. 1765–1770 · Copper, enamel

Cleared · Public Domain

live
The MetSimilar
Nécessaire by an unrecorded maker, The Metropolitan Museum of Art

Nécessaire

Unrecorded maker

ca. 1765–1770 · Copper, enamel

Cleared · Public Domain

live
The MetSimilar
Nécessaire by an unrecorded maker, The Metropolitan Museum of Art

Nécessaire

Unrecorded maker

ca. 1765–70 · Enameled copper

Cleared · Public Domain

live
The MetSimilar
Nécessaire and châtelaine by an unrecorded maker, The Metropolitan Museum of Art

Nécessaire and châtelaine

Unrecorded maker

ca. 1765–70 · Enameled copper

Cleared · Public Domain

live
The MetSimilar
L'astronome allemand lâchant un fameux canard, from La Comète de 1857, published in Le Charivari, March 17, 1857 by Honoré Daumier, The Metropolitan Museum of Art

L'astronome allemand lâchant un fameux canard, from La Comète de 1857, published in Le Charivari, March 17, 1857

Honoré Daumier (d. 1879)

January 13, 1858 · Lithograph; third state of three (Delteil)

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.