Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    449 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    371 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 21,887 matching records exist across the two collections.

Results for "Costume Design and Design for a Headdres"12 records

Institutions answered newest-first by record, interleaved

Costume Design and Design for a Headdress by Baccio del Bianco, The Metropolitan Museum of Art

Costume Design and Design for a Headdress

Baccio del Bianco (d. 1656)

ca. 1620–56 · Brown ink and wash; red chalk

Cleared · Public Domain

live
The MetSimilar
Design for a Man's Headdress by Baccio del Bianco, The Metropolitan Museum of Art

Design for a Man's Headdress

Baccio del Bianco (d. 1656)

ca. 1620–56 · Brown ink

Cleared · Public Domain

live
The MetSimilar
Design for a Soldier's Costume with a Cuirass (front and back) by Baccio del Bianco, The Metropolitan Museum of Art

Design for a Soldier's Costume with a Cuirass (front and back)

Baccio del Bianco (d. 1656)

ca. 1620–56 · Brown ink with a gray-blue and a light brown wash

Cleared · Public Domain

live
The MetSimilar
Costume Design for Lady with a Fan by Basil Crage, The Metropolitan Museum of Art

Costume Design for Lady with a Fan

Basil Crage (d. 1900)

1890–99 · Watercolor and metallic paint over graphite

Cleared · Public Domain

live
The MetSimilar
Design for a theater costume by Anonymous, French, 19th century, The Metropolitan Museum of Art

Design for a theater costume

Anonymous, French, 19th century (d. 1900)

ca. 1920–39 · Graphite with paint on Bristol

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume Design for a Eunuch in Scheherazade

Léon Bakst (d. 1924)

1912 · Gouache and graphite, heightened with gold paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Butterfly Costume

Sergey Chekhonin (d. 1936)

ca. 1920 · Graphite, gouache, watercolor.

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume design for a bullfighter

Natalia Goncharova (d. 1962)

1932 · Pen and black ink, and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume Design

Olga Marynowsky (d. 1940)

ca. 1930s · Watercolor with metallic inks over graphite on wove paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume Design for Male Dancer

Mstislav Dobuzhinsky (d. 1957)

late 19th–mid-20th century · Watercolor, gouache, gold paint, and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume Design for Male Dancer

Mstislav Dobuzhinsky (d. 1957)

late 19th–mid-20th century · Watercolor, gouache, gold paint, and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume design for a female dancer

Natalia Goncharova (d. 1962)

early 20th–mid 20th century · Pen and black ink, and graphite

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.