
Costume Design and Design for a Headdress
Baccio del Bianco (d. 1656)
ca. 1620–56 · Brown ink and wash; red chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
449 ms. The Metropolitan Museum of Art, Collection API (Open Access)
371 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 21,887 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Costume Design and Design for a Headdress
Baccio del Bianco (d. 1656)
ca. 1620–56 · Brown ink and wash; red chalk
Cleared · Public Domain
live
Design for a Man's Headdress
Baccio del Bianco (d. 1656)
ca. 1620–56 · Brown ink
Cleared · Public Domain
live
Design for a Soldier's Costume with a Cuirass (front and back)
Baccio del Bianco (d. 1656)
ca. 1620–56 · Brown ink with a gray-blue and a light brown wash
Cleared · Public Domain
live
Costume Design for Lady with a Fan
Basil Crage (d. 1900)
1890–99 · Watercolor and metallic paint over graphite
Cleared · Public Domain
live
Design for a theater costume
Anonymous, French, 19th century (d. 1900)
ca. 1920–39 · Graphite with paint on Bristol
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for a Eunuch in Scheherazade
Léon Bakst (d. 1924)
1912 · Gouache and graphite, heightened with gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Butterfly Costume
Sergey Chekhonin (d. 1936)
ca. 1920 · Graphite, gouache, watercolor.
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume design for a bullfighter
Natalia Goncharova (d. 1962)
1932 · Pen and black ink, and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design
Olga Marynowsky (d. 1940)
ca. 1930s · Watercolor with metallic inks over graphite on wove paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for Male Dancer
Mstislav Dobuzhinsky (d. 1957)
late 19th–mid-20th century · Watercolor, gouache, gold paint, and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for Male Dancer
Mstislav Dobuzhinsky (d. 1957)
late 19th–mid-20th century · Watercolor, gouache, gold paint, and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume design for a female dancer
Natalia Goncharova (d. 1962)
early 20th–mid 20th century · Pen and black ink, and graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.