
Costume Design and Design for a Headdress
Baccio del Bianco (d. 1656)
ca. 1620–56 · Brown ink and wash; red chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
167 ms. The Metropolitan Museum of Art, Collection API (Open Access)
403 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 262 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Costume Design and Design for a Headdress
Baccio del Bianco (d. 1656)
ca. 1620–56 · Brown ink and wash; red chalk
Cleared · Public Domain
live
Costume Design for Pages or Squirs Tending to the Horses
Baccio del Bianco (d. 1656)
ca. 1620–56 · Brown ink over red chalk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for "Oriental Poppy" Hanging Dome Shade for the Bellevue Palace, Bern, Switzerland
Louis C. Tiffany (d. 1933)
ca. 1912-13 · Transparent and opaque watercolor, pastel, and graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for The Red Poppy: Cook or Servant
Mikhail Kurilko (d. 1969)
1927 · Brush and black ink, watercolor, gold paint, varnish, graphite, ink, and crayon
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for The Red Poppy: Knight
Mikhail Kurilko (d. 1969)
1927 · Brush and black ink, watercolor, silver paint, graphite, ink, and crayon
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for The Red Poppy: Merchant
Mikhail Kurilko (d. 1969)
1927 · Brush and black ink, watercolor, gold paint, graphite, ink, and crayon
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for The Red Poppy: Old Man
Mikhail Kurilko (d. 1969)
1927 · Brush and black ink, watercolor, graphite, ink, and crayon
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for The Red Poppy: Savage
Mikhail Kurilko (d. 1969)
1927 · Brush and black ink, watercolor, graphite, ink, and crayon
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for The Red Poppy: Seller
Mikhail Kurilko (d. 1969)
1927 · Brush and black ink, watercolor, gold and silver paint, graphite, ink, and crayon
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Designs for The Red Poppy: Musicians
Mikhail Kurilko (d. 1969)
1927 · Brush and black ink, watercolor, graphite, ink, and crayon
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Theatrical costume for female red fox
Vincente Minnelli (d. 1986)
1933–39 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for Male Dancer
Mstislav Dobuzhinsky (d. 1957)
late 19th–mid-20th century · Watercolor, gouache, gold paint, and graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.