
Terracotta bell-krater (bowl for mixing wine and water)
Polion
ca. 420 BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
414 ms. The Metropolitan Museum of Art, Collection API (Open Access)
447 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 32 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Terracotta bell-krater (bowl for mixing wine and water)
Polion
ca. 420 BCE · Terracotta
Cleared · Public Domain
live
The Auspicious Noh Dance "Okina"
Toriyama Sekien (d. 1788)
ca. 1790–95 · Triptych of hanging scrolls; ink, color, and gold on paper
Cleared · Public Domain
live![Pedestal [for Woman from the French Colonies] by Charles-Henri-Joseph Cordier, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/es/web-large/SF2006_112d.jpg)
Pedestal [for Woman from the French Colonies]
Charles-Henri-Joseph Cordier (d. 1905)
1861 · Red and white marble pedestal with gilt-bronze mounts and ornaments
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Page, Volume 2
Edward Gordon Craig (d. 1966)
1899 · Illustrations: woodcuts, some hand-colored
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costumes Parisiens 165: Robe à danser pour une jeune personne de 16 à 18 ans
Gerda Wegener
1914 · Hand-colored engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for The Red Poppy: Cook or Servant
Mikhail Kurilko (d. 1969)
1927 · Brush and black ink, watercolor, gold paint, varnish, graphite, ink, and crayon
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for The Red Poppy: Knight
Mikhail Kurilko (d. 1969)
1927 · Brush and black ink, watercolor, silver paint, graphite, ink, and crayon
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for The Red Poppy: Merchant
Mikhail Kurilko (d. 1969)
1927 · Brush and black ink, watercolor, gold paint, graphite, ink, and crayon
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for The Red Poppy: Old Man
Mikhail Kurilko (d. 1969)
1927 · Brush and black ink, watercolor, graphite, ink, and crayon
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for The Red Poppy: Savage
Mikhail Kurilko (d. 1969)
1927 · Brush and black ink, watercolor, graphite, ink, and crayon
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for The Red Poppy: Seller
Mikhail Kurilko (d. 1969)
1927 · Brush and black ink, watercolor, gold and silver paint, graphite, ink, and crayon
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Evening dress
House of Paquin (d. 1956)
spring/summer 1937 · silk
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.