
Standing Figure in Oriental Costume
Sebastiano Bombelli (d. 1719)
1655–1719 · Pen and brown ink, brush and gray wash
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
2179 ms. The Metropolitan Museum of Art, Collection API (Open Access)
284 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 194 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Standing Figure in Oriental Costume
Sebastiano Bombelli (d. 1719)
1655–1719 · Pen and brown ink, brush and gray wash
Cleared · Public Domain
live
Two Costume Designs for the Ballet or Opera
Louis René Boquet (d. 1814)
ca. 1770–90 · Pen and ink with watercolor on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for the Maiden of the Grotto (for Le Sacre du Printemps (The Rite of Spring)?)
Nicholas Roerich (d. 1947)
ca. 1910–21 · Gouache and India ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for a Valet, likely for the Ballet 'Les Papillons', premiered at the Théâtre de Monte-Carlo, 1914
Léon Bakst (d. 1924)
ca. 1914 · Gouache and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for a Courtier for the Ballet 'Le Marriage d'Aurore' (Aurora's Wedding), premiered at the Théâtre national de l’Opéra, 1922
Natalia Goncharova (d. 1962)
[1922] · Watercolor and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for a Courtier, likely for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty), premiered at the Alhambra Theatre in London, 1921
Léon Bakst (d. 1924)
ca. 1921 · Watercolor, graphite, gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for a Female Courtier, likely for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty), premiered at the Alhambra Theatre in London, 1921
Léon Bakst (d. 1924)
ca. 1921 · Watercolor and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Man's theatrical costume for "At Home Abroad"
Vincente Minnelli (d. 1986)
1935 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Theatrical costume for a male circus performer in "At Home Abroad"
Vincente Minnelli (d. 1986)
1935 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Man's theatrical costume–Dressing gown of heavy white silk faille for Bob Hope, for the song 'Gazouka', Ziegfield Follies
Vincente Minnelli (d. 1986)
1936 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman's theatrical costume with a white gown with floral embellishments
Vincente Minnelli (d. 1986)
1933–39 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Child’s Kimono with Charlie Chaplin Design
Unrecorded maker
ca. 1932 · Plain-weave wool muslin with printing
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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