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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    731 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    275 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,807 matching records exist across the two collections.

Results for "Costume Design for a Courtier for the Ba"12 records

Institutions answered newest-first by record, interleaved

Costume Design and Design for a Headdress by Baccio del Bianco, The Metropolitan Museum of Art

Costume Design and Design for a Headdress

Baccio del Bianco (d. 1656)

ca. 1620–56 · Brown ink and wash; red chalk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Zebra Costume, for the Ballet Russe (?)

Mikhail Larionov (d. 1964)

ca. 1915–22 · Graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume Design for a Courtier for the Ballet 'Le Marriage d'Aurore' (Aurora's Wedding), premiered at the Théâtre national de l’Opéra, 1922

Natalia Goncharova (d. 1962)

[1922] · Watercolor and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Butterfly Costume

Sergey Chekhonin (d. 1936)

ca. 1920 · Graphite, gouache, watercolor.

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume Design for a Courtier, likely for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty), premiered at the Alhambra Theatre in London, 1921

Léon Bakst (d. 1924)

ca. 1921 · Watercolor, graphite, gold paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume Design for a Female Courtier, likely for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty), premiered at the Alhambra Theatre in London, 1921

Léon Bakst (d. 1924)

ca. 1921 · Watercolor and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume Design for The Red Poppy: Knight

Mikhail Kurilko (d. 1969)

1927 · Brush and black ink, watercolor, silver paint, graphite, ink, and crayon

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume Design for The Red Poppy: Merchant

Mikhail Kurilko (d. 1969)

1927 · Brush and black ink, watercolor, gold paint, graphite, ink, and crayon

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume Design for The Red Poppy: Old Man

Mikhail Kurilko (d. 1969)

1927 · Brush and black ink, watercolor, graphite, ink, and crayon

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume Design for The Red Poppy: Seller

Mikhail Kurilko (d. 1969)

1927 · Brush and black ink, watercolor, gold and silver paint, graphite, ink, and crayon

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Akua 'ba figure

Asante-Akan artist

First half of 20th century · Wood, beads, fiber

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Akua 'ba figure

Asante-Akan artist

early–mid-20th century · Wood

In copyright

live
The MetSimilar

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