Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
964 ms. The Metropolitan Museum of Art, Collection API (Open Access)
257 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 201 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for Second Ballet Girl, from the play "Captain Jinks of the Horse Marines"
Percy Anderson (d. 1928)
1901 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for Sixth Ballet Girl, from the play "Captain Jinks of the Horse Marines"
Percy Anderson (d. 1928)
1901 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for Third Ballet Girl (Italian), from the play "Captain Jinks of the Horse Marines"
Percy Anderson (d. 1928)
1901 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for the Ballet 'Thamar', premiered at the Théâtre du Châtelet in Paris, 1912
Léon Bakst (d. 1924)
1918 · Gouache, graphite, and silver paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for a Valet, likely for the Ballet 'Les Papillons', premiered at the Théâtre de Monte-Carlo, 1914
Léon Bakst (d. 1924)
ca. 1914 · Gouache and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for the 'Sultan Samarkand' for the Ballet 'Schéhérazade'
Léon Bakst (d. 1924)
1919 · Watercolor, graphite, and gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Zebra Costume, for the Ballet Russe (?)
Mikhail Larionov (d. 1964)
ca. 1915–22 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Les Plaisirs - Innocents et Morbids" Ballet Costume Design of Twinned Serpents for "L'Or," Ziegfield Follies
Erté (Romain de Tirtoff) (d. 1990)
1923 · Gouache and metallic paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for the Shepherdess, for the Ballet 'Les Tentations de la Bergère, premiered at the Théâtre de Monte Carlo, 1924
Juan Gris (d. 1927)
1923 · Watercolor and gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for the Ballet "Les Biches" (The Does)
Marie Laurencin (d. 1956)
ca. 1924 · Color collotype with crayon (dark green)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for the Ballet "Les Biches" (The Does)
Marie Laurencin (d. 1956)
ca. 1924 · Color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for Manka, for 'Bogatyri Ballet' (The Ballet of the Epic Heroes), premiered in New York, 1938
Natalia Goncharova (d. 1962)
[1938] · Gouache, watercolor, graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.