
Costume Plate: Bearded Man from Spain
Enea Vico (d. 1567)
ca. 1557–58 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
4662 ms. The Metropolitan Museum of Art, Collection API (Open Access)
507 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 214 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Costume Plate: Bearded Man from Spain
Enea Vico (d. 1567)
ca. 1557–58 · Engraving
Cleared · Public Domain
live
Costume Plate: Peasant Woman from Spain, from "Diversarum gentium nostrae aetatis habitus"
Enea Vico (d. 1567)
ca. 1555–58 · Engraving
Cleared · Public Domain
live
Costume Plate: Woman from Germany
Enea Vico (d. 1567)
ca. 1558–70 · Engraving
Cleared · Public Domain
live
Peasant woman
Matteo Bottigheri (d. 1825)
second half 18th century · Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; cotton and velvet garments; metal buckle on shoe
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Plate: Bearded Man from Spain
Enea Vico (d. 1567)
ca. 1555–58 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Plate: Woman from Germany
Enea Vico (d. 1567)
ca. 1555–58 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Plate: Woman from Spain
Enea Vico (d. 1567)
ca. 1555–58 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Plate: Woman from Tartary
Enea Vico (d. 1567)
ca. 1555–58 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Plate: Young Woman from Spain with Apple
Enea Vico (d. 1567)
ca. 1555–58 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Plate: Woman from Tartary
Enea Vico (d. 1567)
ca. 1558–70 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Peasant Family Threatened by Soldiers, plate 2 from The Horrors of the Spanish War (Boereverdriet)
David Vinckboons (d. 1629)
1610 · Engraving; Hollstein's first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Masked Woman
Sergey Sudeykin (d. 1946)
first half 20th century · Brush and black ink, gouache, watercolor; graphite framing lines
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.