
Cosimo I de' Medici (1519–1574), Duke of Florence
Baccio Bandinelli (d. 1560)
1539–40 · Marble
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
362 ms. The Metropolitan Museum of Art, Collection API (Open Access)
295 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 15 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Cosimo I de' Medici (1519–1574), Duke of Florence
Baccio Bandinelli (d. 1560)
1539–40 · Marble
Cleared · Public Domain
live
Portrait of Nicolas Trigault in Chinese Costume
Peter Paul Rubens (d. 1640)
1617 · Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper
Cleared · Public Domain
live
Study of a Bearded and Turbaned Man Carrying a Chest
Pieter Lastman (d. 1633)
ca. 1625–30 · Red and black chalk, heightened with white chalk, on yellow-orange prepared paper; framing line in red chalk, by the artist
Cleared · Public Domain
live
Bearded Man with a Velvet Cap
Govert Flinck (d. 1660)
1645 · Oil on wood
Cleared · Public Domain
live
Costume Study for Bassa Selim in the "Abduction from the Seraglio" by W.A. Mozart
Johann Georg Christoph Fries (d. 1857)
ca. 1830–50 · Watercolor, over graphite, gum arabic
Cleared · Public Domain
live
Arab School
John Frederick Lewis (d. 1876)
1841–51 · Watercolor and gouache (bodycolor) over black chalk on brownish paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Standing Female Figure (St. Anne; Cartoon for a Painting)
Vittore Carpaccio (d. 1526)
ca. 1502–4 · Pen and brown ink, brush and gray-brown wash, over charcoal underdrawing; outlines pricked for transfer, on two glued sheets of paper with overlapping joins
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Study for a Robed, Bearded Boyar with Staff
Pavel Petrovic Froman (d. 1940)
early 20th century · Watercolor, gouache, gold paint, over graphite.
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for the 'Sultan Samarkand' for the Ballet 'Schéhérazade'
Léon Bakst (d. 1924)
1919 · Watercolor, graphite, and gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Study for a Boyar with High Boots and a Red Cap
Pavel Petrovic Froman (d. 1940)
1929 · Watercolor, gouache, gold paint, over graphite.
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Study for Robed Boyar with White Beard
Pavel Petrovic Froman (d. 1940)
1929 · Watercolor, gouache, gold paint, over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Study for Robed, Bearded Boyar with Staff; verso: Sketch for the same figure
Pavel Petrovic Froman (d. 1940)
1929 · Watercolor, gouache, gold paint, over graphite; verso: graphite.
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.