Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    362 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    295 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 15 matching records exist across the two collections.

Results for "Costume Study for a Robed, Bearded Boyar"12 records

Institutions answered newest-first by record, interleaved

Cosimo I de' Medici (1519–1574), Duke of Florence by Baccio Bandinelli, The Metropolitan Museum of Art

Cosimo I de' Medici (1519–1574), Duke of Florence

Baccio Bandinelli (d. 1560)

1539–40 · Marble

Cleared · Public Domain

live
The MetSimilar
Portrait of Nicolas Trigault in Chinese Costume by Peter Paul Rubens, The Metropolitan Museum of Art

Portrait of Nicolas Trigault in Chinese Costume

Peter Paul Rubens (d. 1640)

1617 · Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper

Cleared · Public Domain

live
The MetSimilar
Study of a Bearded and Turbaned Man Carrying a Chest by Pieter Lastman, The Metropolitan Museum of Art

Study of a Bearded and Turbaned Man Carrying a Chest

Pieter Lastman (d. 1633)

ca. 1625–30 · Red and black chalk, heightened with white chalk, on yellow-orange prepared paper; framing line in red chalk, by the artist

Cleared · Public Domain

live
The MetSimilar
Bearded Man with a Velvet Cap by Govert Flinck, The Metropolitan Museum of Art

Bearded Man with a Velvet Cap

Govert Flinck (d. 1660)

1645 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Costume Study for Bassa Selim in the "Abduction from the Seraglio" by W.A. Mozart by Johann Georg Christoph Fries, The Metropolitan Museum of Art

Costume Study for Bassa Selim in the "Abduction from the Seraglio" by W.A. Mozart

Johann Georg Christoph Fries (d. 1857)

ca. 1830–50 · Watercolor, over graphite, gum arabic

Cleared · Public Domain

live
The MetSimilar
Arab School by John Frederick Lewis, The Metropolitan Museum of Art

Arab School

John Frederick Lewis (d. 1876)

1841–51 · Watercolor and gouache (bodycolor) over black chalk on brownish paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Standing Female Figure (St. Anne; Cartoon for a Painting)

Vittore Carpaccio (d. 1526)

ca. 1502–4 · Pen and brown ink, brush and gray-brown wash, over charcoal underdrawing; outlines pricked for transfer, on two glued sheets of paper with overlapping joins

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume Study for a Robed, Bearded Boyar with Staff

Pavel Petrovic Froman (d. 1940)

early 20th century · Watercolor, gouache, gold paint, over graphite.

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume Design for the 'Sultan Samarkand' for the Ballet 'Schéhérazade'

Léon Bakst (d. 1924)

1919 · Watercolor, graphite, and gold paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume Study for a Boyar with High Boots and a Red Cap

Pavel Petrovic Froman (d. 1940)

1929 · Watercolor, gouache, gold paint, over graphite.

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume Study for Robed Boyar with White Beard

Pavel Petrovic Froman (d. 1940)

1929 · Watercolor, gouache, gold paint, over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume Study for Robed, Bearded Boyar with Staff; verso: Sketch for the same figure

Pavel Petrovic Froman (d. 1940)

1929 · Watercolor, gouache, gold paint, over graphite; verso: graphite.

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.