Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
485 ms. The Metropolitan Museum of Art, Collection API (Open Access)
256 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 235 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Russian female dancer costume for "La Fée des Poupées"
Léon Bakst (d. 1924)
1903 · Graphite on tracing paper; squared
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rhapsodie Espagnole: Spanish Costume for a Female Dancer
Natalia Goncharova (d. 1962)
1916 · Gouache, watercolor, and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Theatrical Costume: Spanish dancer
James Reynolds (d. 1957)
ca. 1919–39 · Watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Butterfly Costume
Sergey Chekhonin (d. 1936)
ca. 1920 · Graphite, gouache, watercolor.
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume design for a female dancer in a blue and white dress
Christian Bérard (d. 1949)
early 20th century · Gouache, on pink-colored paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for Female Dancer (recto); Costume Sketch (verso)
Mstislav Dobuzhinsky (d. 1957)
late 19th–mid-20th century · Watercolor, gouache, gold paint, and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume design for Female Dancer (recto); Stage set (verso)
Mstislav Dobuzhinsky (d. 1957)
late 19th–mid-20th century · Watercolor, gouache, gold paint, and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for Female Dancer in a White Dress with Pink Flowers
Anonymous, 20th century (d. 1999)
late 19th–mid-20th century · Watercolor, gouache, gold paint, and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for Male Dancer
Mstislav Dobuzhinsky (d. 1957)
late 19th–mid-20th century · Watercolor, gouache, gold paint, and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for Male Dancer
Mstislav Dobuzhinsky (d. 1957)
late 19th–mid-20th century · Watercolor, gouache, gold paint, and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume design for a female dancer
Natalia Goncharova (d. 1962)
early 20th–mid 20th century · Pen and black ink, and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sketch of a theater costume for a female dancer
Natalia Goncharova (d. 1962)
1900–1965 · Graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.