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Design for a bracelet (in two pieces)
Louis-Oscar Roty (d. 1911)
19th century · Gilt bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
941 ms. The Metropolitan Museum of Art, Collection API (Open Access)
357 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 90 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
.jpg)
Design for a bracelet (in two pieces)
Louis-Oscar Roty (d. 1911)
19th century · Gilt bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for Fifth Ballet Girl (Short White Dress), from the play "Captain Jinks of the Horse Marines"
Percy Anderson (d. 1928)
1901 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for Fourth Ballet Girl (Fraülein Hochspitz) (in long beige gown), from the play "Captain Jinks of the Horse Marines"
Percy Anderson (d. 1928)
1901 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for Fourth Ballet Girl (Fraülein Hochspitz) (Short White Dress), from the play "Captain Jinks of the Horse Marines"
Percy Anderson (d. 1928)
1901 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for Second Ballet Girl, from the play "Captain Jinks of the Horse Marines"
Percy Anderson (d. 1928)
1901 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for Seventh Ballet Girl (French) Aged 60, from the play "Captain Jinks of the Horse Marines"
Percy Anderson (d. 1928)
1901 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for Seventh Ballet Girl (Short White and Blue Striped Dress), from the play "Captain Jinks of the Horse Marines"
Percy Anderson (d. 1928)
1901 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for Sixth Ballet Girl, from the play "Captain Jinks of the Horse Marines"
Percy Anderson (d. 1928)
1901 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for Third Ballet Girl (Italian), from the play "Captain Jinks of the Horse Marines"
Percy Anderson (d. 1928)
1901 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume design for Polovtsian girl in "Prince Igor"
Konstantin Korovin (d. 1939)
1909 · Pen and black ink, watercolor, gouache, and silver paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Theatrical costume for 'Maharee', a number in "Ziegfeld Follies of 1936"
Vincente Minnelli (d. 1986)
1936 · Watercolor over graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.