Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    202 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    276 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,896 matching records exist across the two collections.

Results for "Cottages in the Valley"12 records

Institutions answered newest-first by record, interleaved

Two Cottages by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

Two Cottages

Rembrandt (Rembrandt van Rijn) (d. 1669)

ca. 1636 · Pen and brown ink (gallnut ink, possibly only partially), corrected with white chalk and/or body color.

Cleared · Public Domain

live
The MetSimilar
Fishermen's cottages at Hastings by William Henry Hunt, The Metropolitan Museum of Art

Fishermen's cottages at Hastings

William Henry Hunt (d. 1864)

1815–25 · Watercolor

Cleared · Public Domain

live
The MetSimilar
Cottages in an extensive landscape by William Henry Hunt, The Metropolitan Museum of Art

Cottages in an extensive landscape

William Henry Hunt (d. 1864)

late 1820s · Reed pen, ink and watercolor over traces of graphite

Cleared · Public Domain

live
The MetSimilar
In the Valley of the Mole by Robert Howlett, The Metropolitan Museum of Art

In the Valley of the Mole

Robert Howlett (d. 1858)

1855 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
In the Yosemite Valley by Carleton E. Watkins, The Metropolitan Museum of Art

In the Yosemite Valley

Carleton E. Watkins (d. 1916)

ca. 1878 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Library Table by Rose Valley Shops, The Metropolitan Museum of Art

Library Table

Rose Valley Shops (d. 1906)

1904 · White oak, stained

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cottages in the Valley

Claude Flight (d. 1955)

date not published

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Landscape with Cottages, in the Foreground a Sportsman

Hendrick Hondius I (d. 1650)

1600 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Cottages

William Henry Pyne (d. 1843)

1806–7 · Pen lithograph on yellow-ocher aquatint mount

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Cottages

William Henry Pyne (d. 1843)

1806–7 · Pen lithograph on yellow-ocher aquatint mount

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Horsley's Cottages

Sir Francis Seymour Haden (d. 1910)

1865 · Etching and drypoint; between trial proof C and D (Harrington); fifth state of nine (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Horsley's Cottages

Sir Francis Seymour Haden (d. 1910)

1865 · Etching and drypoint; trial proof c (Harrington); third state of nine (Schneiderman)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.