Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    3196 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    250 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 58 matching records exist across the two collections.

Results for "Couch and footstool with bone carvings a"12 records

Institutions answered newest-first by record, interleaved

Furniture plaque carved in relief with volutes and a palmette by an unrecorded maker, The Metropolitan Museum of Art

Furniture plaque carved in relief with volutes and a palmette

Unrecorded maker

ca. 8th century BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
Three fragments of a terracotta calyx-krater (mixing bowl) by an unrecorded maker, The Metropolitan Museum of Art

Three fragments of a terracotta calyx-krater (mixing bowl)

Unrecorded maker

ca. 360–340 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Relief from couch by an unrecorded maker, The Metropolitan Museum of Art

Relief from couch

Unrecorded maker

1st century CE · Ivory

Cleared · Public Domain

live
The MetSimilar
Couch and footstool with bone carvings and glass inlays by an unrecorded maker, The Metropolitan Museum of Art

Couch and footstool with bone carvings and glass inlays

Unrecorded maker

1st–2nd century CE · Wood, bone, glass

Cleared · Public Domain

live
The MetSimilar
Fragment of a Plaque with a Standing Woman by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Plaque with a Standing Woman

Unrecorded maker

4th century · Bone

Cleared · Public Domain

live
The MetSimilar
Plaque from a Casket with a bird by an unrecorded maker, The Metropolitan Museum of Art

Plaque from a Casket with a bird

Unrecorded maker

4th–5th century · Bone with polychromy

Cleared · Public Domain

live
The MetSimilar
Plaque from a Casket with a Dancing Woman by an unrecorded maker, The Metropolitan Museum of Art

Plaque from a Casket with a Dancing Woman

Unrecorded maker

4th–5th century · Bone with red polychromy

Cleared · Public Domain

live
The MetSimilar
Plaque with an Eros by an unrecorded maker, The Metropolitan Museum of Art

Plaque with an Eros

Unrecorded maker

4th–5th century · Bone, traces of red and blue paint

Cleared · Public Domain

live
The MetSimilar
Bone Carving, Possibly of a Dionysiac Revel by an unrecorded maker, The Metropolitan Museum of Art

Bone Carving, Possibly of a Dionysiac Revel

Unrecorded maker

300–500 · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Panel with Wheat Sheaves by an unrecorded maker, The Metropolitan Museum of Art

Panel with Wheat Sheaves

Unrecorded maker

4th–6th century · Bone

Cleared · Public Domain

live
The MetSimilar
Altarpiece with the Lives of Jesus, Saint John the Baptist, and Saint John the Evangelist by Baldassare degli Embriachi, The Metropolitan Museum of Art

Altarpiece with the Lives of Jesus, Saint John the Baptist, and Saint John the Evangelist

Baldassare degli Embriachi (d. 1409)

ca. 1390–1400 · Bone framed with intarsia and horn, traces of paint and gilding

Cleared · Public Domain

live
The MetSimilar
Plaque with the Trinity and the Dormition of the Virgin by an unrecorded maker, The Metropolitan Museum of Art

Plaque with the Trinity and the Dormition of the Virgin

Unrecorded maker

ca. 1410–20 · Elephant ivory with traces of polychromy

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.