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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    399 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    345 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 46 matching records exist across the two collections.

Results for "Country House in a Landscape (recto); Th"12 records

Institutions answered newest-first by record, interleaved

Allegorical scene with beggars and blacksmiths (recto); Sketch of rooftop (verso) by David Vinckboons, The Metropolitan Museum of Art

Allegorical scene with beggars and blacksmiths (recto); Sketch of rooftop (verso)

David Vinckboons (d. 1629)

ca. 1613 · Pen and brown ink, brush and brown ink, brown wash, heightened with white, on antique laid paper partially prepared with green watercolor, double framing lines in brown ink and gold leaf (recto); black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Landscape with a Mill (recto); A Steepled Façade and Farm House (verso) by Anthonie Waterloo, The Metropolitan Museum of Art

Landscape with a Mill (recto); A Steepled Façade and Farm House (verso)

Anthonie Waterloo (d. 1690)

17th century · Black chalk, brush and gray wash (recto); black chalk and brush and gray wash (verso); traces of framing lines in black chalk

Cleared · Public Domain

live
The MetSimilar
Italianate river landscape by William Taverner, The Metropolitan Museum of Art

Italianate river landscape

William Taverner (d. 1772)

1750–60 · Watercolor, gouache (bodycolor) and iron gall ink over graphite on three joined sheets

Cleared · Public Domain

live
The MetSimilar
Message Case with Landscape by an unrecorded maker, The Metropolitan Museum of Art

Message Case with Landscape

Unrecorded maker

mid-18th century · Lacquered wood with gold and silver hiramaki‑e and togidashimaki‑e, with gilded mounts

Cleared · Public Domain

live
The MetSimilar
Plate 28, from "World in Miniature" by Thomas Rowlandson, The Metropolitan Museum of Art

Plate 28, from "World in Miniature"

Thomas Rowlandson (d. 1827)

1816 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Country House in a Landscape (recto); Theater Interior Elevation (verso)

John Joseph Holland (d. 1820)

1800–20 · Watercolor and wash over graphite; ink over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Four Men Launching a Boat (recto); Country House in a Landscape (verso)

John Joseph Holland (d. 1820)

1800–20 · Watercolor over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Winter in the Country: The Old Grist Mill

George Henry Durrie (d. 1863)

1864 · Two-color lithograph with hand-coloring with touches of white gouache

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

American Landscape – Early Morning

Currier & Ives (d. 1907)

1866 · Two-color lithograph with handcoloring

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Pleasures of the Country – Sweet Home

Currier & Ives (d. 1907)

1869 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Music – A Sequence of Ten Cloud Photographs, No. 1

Alfred Stieglitz (d. 1946)

1922 · Platinum print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pine Trees in Pushkin Park

Alexander Rodchenko (d. 1956)

1927 · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.