
Relief of an Acacia Tree Shading Water Jars with Drinking Cups
Unrecorded maker
ca. 2051–2030 B.C. · Limestone, paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
217 ms. The Metropolitan Museum of Art, Collection API (Open Access)
426 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 798 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Relief of an Acacia Tree Shading Water Jars with Drinking Cups
Unrecorded maker
ca. 2051–2030 B.C. · Limestone, paint
Cleared · Public Domain
live
Model of a House
Unrecorded maker
ca. 1750–1700 B.C. · Pottery
Cleared · Public Domain
live
View Near Albury
Wenceslaus Hollar (d. 1677)
1645 · Etching; first state of three
Cleared · Public Domain
live
Country House near the Water
Jan van Goyen (d. 1656)
1646 · Oil on wood
Cleared · Public Domain
live
View of the Seacoast near Wargemont in Normandy
Auguste Renoir (d. 1919)
1880 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Architectural Drawing of a Country House Near Rome
Anonymous, French, 18th century (d. 1800)
1799 · Pen and black ink, brush and brown, gray, and blue wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
American Country Life – October Afternoon
Frances Flora Bond Palmer (d. 1876)
1855 · Two-stone lithograph, hand-colored
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Winter in the Country: The Old Grist Mill
George Henry Durrie (d. 1863)
1864 · Two-color lithograph with hand-coloring with touches of white gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Pleasures of the Country – Sweet Home
Currier & Ives (d. 1907)
1869 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wooden House near the Water (perhaps an early idea for Cliffs, Manchester, Massachusetts)
Arthur Little (d. 1925)
ca. 1879 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wooden House near the Water (perhaps an early idea for Cliffs, Manchester, Massachusetts)
Arthur Little (d. 1925)
ca. 1879 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wooden House near the Water (perhaps an early idea for Cliffs, Manchester, Massachusetts)
Arthur Little (d. 1925)
ca. 1879 · Watercolor and graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.