
The Horseman
Wenceslaus Hollar (d. 1677)
1650 · Etching; third state of four
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
331 ms. The Metropolitan Museum of Art, Collection API (Open Access)
289 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 394 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Horseman
Wenceslaus Hollar (d. 1677)
1650 · Etching; third state of four
Cleared · Public Domain
live
Mechelen (Mechlin), from "European Views"
Wenceslaus Hollar (d. 1677)
1664 · Etching; first state of two
Cleared · Public Domain
live
Read's Crinoline Sketches, No. 9
Anonymous, British, 19th century (d. 1900)
July 22, 1859 · Hand-colored lithograph
Cleared · Public Domain
live
Tudor Style Rural Train Station and Railroad Crossing
John Connell Ogle (d. 1877)
1844–77 · Watercolor
Cleared · Public Domain
live
Country Road Framed by Trees (from Sketchbook VII)
William Trost Richards (d. 1905)
1886 · Graphite on off-white wove paper
Cleared · Public Domain
live
The Road from Versailles to Louveciennes
Alfred Sisley (d. 1899)
probably 1879 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
American Country Life – October Afternoon
Frances Flora Bond Palmer (d. 1876)
1855 · Two-stone lithograph, hand-colored
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Happy New Year
Nathaniel Currier (d. 1888)
1846–56 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Brush for the Lead: New York "Flyers" on the Snow
Thomas B. Worth (d. 1917)
1867 · Two-color lithograph, hand-colored and with touches of gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Robes Modèles Historiques: Country Woman
Anonymous, French, 19th century (d. 1900)
19th century · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Roadside Picnic
James McBey (d. 1959)
1931–50 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Henderson, North Carolina
Stephen Shore (d. 9999)
June 3, 1972 · Chromogenic print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.